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Bronze Sculpture in the Classical World: From Text to Context to Technology

by Carol C. Mattusch

Bronze sculpture through evidence and technique

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AlbakiReads Editorial

Bronze sculpture through evidence and technique

Carol C. Mattusch examines classical bronze sculpture through the evidence that has survived: fragments of statues, foundry remains, ancient texts, and newly discovered material. The book connects those sources to the stages of production, from workshop processes to completed statues, and uses modern workshop analogies to clarify ancient technology. It also places sculpture in its public and private contexts, considering standards for civic statuary and the collecting, acquisition, display, and survival of bronzes in Roman private collections. The result is a study that links the making of bronze works with the ways they were used, valued, and preserved.

Good fit for readers who enjoy

  • Readers interested in ancient art and classical sculpture
  • Those studying archaeological evidence and the history of bronze-working
  • Readers curious about public statuary and Roman private collections

Themes

Classical bronze sculptureAncient workshop technologyPublic art and civic displayRoman collecting and preservation

Based on publisher information and book metadata.

Book overview

Bronze was a prized medium for sculpture in the classical world, as reflected by the remnants of the thousands of bronze statues of gods, dignitaries, and intellectuals that once filled its cities and sanctuaries. Today, only a few hundred statues are preserved, counting heads without bodies and bodies missing heads and limbs. Fortunately, the few survivors - pieces of bronze statues, scraps dumped by ancient bronze foundries, ancient texts, and occasional new finds - offer invaluable insights into the ancient bronze statuary industry. In this magisterial work, Carol Mattusch brings her deep knowledge of ancient technology to the study of bronze sculpture from multiple perspectives. Analyzing ancient literary testimonia together with the material evidence, she charts the production process from start to finished statues and to modern workshop analogies. Exploring standards for size, appearance, and placement of classical public statuary, her volume also considers issues related to Roman private collections of bronzes, including taste, production, means of acquisition, display, and loss or occasional survival of ancient bronzes.
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