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The Blood of the Vampire

by Florence Marryat

A Victorian vampire novel with a radical premise

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AlbakiReads Editorial

A Victorian vampire novel with a radical premise

Published the same year as *Dracula*, Florence Marryat’s novel centers on Harriet Brandt, a biracial, bisexual psychic vampire who draws life force rather than blood. As Harriet seeks love and is blamed for the deaths of people who grow close to her, the story links its supernatural premise to questions of gender expectations, racism, and medical discrimination. The book also sits within Marryat’s wider body of fiction about women who resist Victorian conventions, placing it in conversation with the era’s social norms as well as its developing vampire literature.

Good fit for readers who enjoy

  • Readers interested in Victorian horror and early vampire fiction
  • Readers exploring classic novels that engage with gender, race, and medical discrimination
  • Readers curious about fiction featuring a bisexual, biracial supernatural protagonist

Themes

Victorian social normsGender and raceMedical discriminationVampirism and life force

Based on publisher information and book metadata.

Book overview

A nineteenth-century novel about a bisexual, biracial vampire, written by a forgotten legend of Victorian horror

A Penguin Classic


Published the same year as Bram Stoker's Dracula, Florence Marryat's The Blood of the Vampire introduced readers to one of the most revolutionary protagonists of her time: the biracial, bisexual, feminist psychic vampire Harriet Brandt. Feeding off life force rather than blood, Harriet is a charming, caring young woman in search of love who is accused of killing those who get too close. Harriet's ostracization mirrors that of the author, Florence Marryat, whose thrilling plots about women eschewing the norms of Victorian womanhood were widely read during her time but reviled by critics and overlooked for more than a century. Recontextualizing Marryat's place at the vanguard of Victorian horror, The Blood of the Vampire is a timeless critique of gender norms, racism, and medical discrimination--a fresh, century-old spin on the expanding canon of vampire fiction.

Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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