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Black Chronicles: Photography, Race and Difference in Victorian Britain

by Ren Mussai

Victorian Britain seen through Black photographic histories

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Hardcover New English

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AlbakiReads Editorial

Victorian Britain seen through Black photographic histories

Edited by Renée Mussai, Black Chronicles gathers nineteenth-century studio photographs of Black people in Britain, placing portraits of ordinary and prominent sitters alongside scholarship on empire, colonialism, and archival visibility. Reproductions of plate negatives, cartes de visite, and cabinet cards draw from public and private collections, including images that had remained unseen for decades. Essays, lecture transcripts, and other textual contributions extend the photographs’ historical context, examining African, Afro-Caribbean, South Asian, and mixed-heritage lives within Victorian visual culture. The book frames photography not simply as a record of the period, but as an archive shaped by whose presence was preserved, marginalized, or rediscovered.

Good fit for readers who enjoy

  • Readers interested in nineteenth-century photography and portraiture
  • Those studying Black British history and the Victorian era
  • Researchers of archives, empire, and colonial visual culture

Themes

Black British historyVictorian photographyPortraitureArchives and visibilityEmpire and colonialism

Based on publisher information and book metadata.

Book overview

These striking studio portraits, curated and brought together following ten years of research championed by Autograph, constitute the most comprehensive collection of nineteenth-century photography depicting the Black subject in the Victorian era, including some of the earliest known images of Black people photographed in Britain.

The historically marginalized lives of both ordinary and prominent Black figures of African, Afro-Caribbean, South Asian, and mixed heritage are seen through a prism of curatorial advocacy and experimental scholarly assemblage. Black Chronicles features high quality reproductions of plate negatives, cartes de visite, and cabinet cards, many of which were buried deep in various private and public archives including the Hulton Archive's remarkable London Stereoscopic Company collection, unseen for decades. These photographs are linked with imperial and colonial narratives through newly commissioned essays and rare lecture transcripts, in-conversation and text interventions by Caroline Bressey, Henry Louis Gates Jr., Paul Gilroy, Stuart Hall, M. Neelika Jayawardane, Lola Jaye, Ren

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