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Bhagavad Gita: A New Translation

by Stephen Mitchell

A new English rendering of a Hindu sacred text

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AlbakiReads Editorial

A new English rendering of a Hindu sacred text

Stephen Mitchell’s translation presents the Bhagavad Gita as both a work of Hindu scripture and a philosophical poem. The publisher description situates it among the many English versions of the text and emphasizes Mitchell’s approach as a literary rendering of an ancient sacred work. The book’s subject therefore spans religious tradition and philosophical writing, with the translation itself as the central point of distinction.

Good fit for readers who enjoy

  • Readers exploring Hindu sacred writings in English
  • Readers interested in philosophical poetry and religious texts
  • Readers comparing English translations of the Bhagavad Gita

Themes

Hindu scripturePhilosophyPoetryTranslation

Based on publisher information and book metadata.

Book overview

Stephen Mitchell is widely known for his ability to make ancient masterpieces thrillingly new, to step in where many have tried before and create versions that are definitive for our time. His celebrated version of the Tao Te Ching is the most popular edition in print, and his translations of Jesus, Rilke, Genesis, and Job have won the hearts of readers and critics alike. Stephen Mitchell now brings to the Bhagavad Gita his gift for breathing new life into sacred texts.

The Bhagavad Gita is universally acknowledged as one of the world's literary and spiritual masterpieces. It is the core text of the Hindu tradition and has been treasured by American writers from Emerson and Thoreau to T. S. Eliot, who called it the greatest philosophical poem after the Divine Comedy. There have been more than two hundred English translations of the Gita, including many competent literal versions, but not one of them is a superlative literary text in its own right.

Now all that has changed. Stephen Mitchell's Bhagavad Gita sings with the clarity, the vigor, and the intensity of the original Sanskrit. It will, as William Arrowsmith said of Mitchell's translation of The Sonnets to Orpheus, "instantly make every other rendering obsolete."
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