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Beat Stops Here: Lessons on and Off the Podium for Today's Conductor

by Mark Gibson

Conducting beyond the podium

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AlbakiReads Editorial

Conducting beyond the podium

Mark Gibson connects conducting technique to close score knowledge, linking physical gestures of the hands and arms with detailed musical study. The book examines major works bar by bar, bringing analysis and conducting method together, and widens its scope to the conductor’s responsibilities as teacher, scholar, and participant in a musical community. Its examples range from motivic development in Brahms to practical considerations of public conduct, giving the subject both a musical and professional dimension.

Good fit for readers who enjoy

  • Conductors seeking instruction on gesture and score study
  • Music students interested in conducting technique and analysis
  • Readers curious about the conductor’s roles within musical communities

Themes

Conducting techniqueScore study and musical analysisTeaching and scholarshipProfessional conduct and musical community

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Book overview

In The Beat Stops Here: Lessons on and off the Podium for Today's Conductor, master conductor Mark Gibson addresses the technique of conducting as an extension of intimate knowledge of the score to the hands and arms. He employs a variety of everyday activities and motions (brushing the dog, Tinkerbelle, the "door knob") to describe the physical aspects of the role. He advocates a comprehensive, detailed approach to score study, addressing major works bar-by-bar in terms of both musical analysis and conducting method. Finally, Gibson explores the various roles a conductor plays, as a teacher, a scholar and a member of the musical community. His writing is highly focused, with an occasionally tongue-in-cheek, discussing everything from motivic development in Brahms to how to hold a knife and fork in public. In short, The Beat Stops Here is a compendium of style and substance in the real world of today's conductor.
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