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The Atlas of Art Crime: Thefts, Vandalism, and Forgeries

by Laura Evans

A global map of art crime

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AlbakiReads Editorial

A global map of art crime

Organized by location and by category—thefts, vandalism, and forgeries—this illustrated reference profiles 75 incidents from the past two centuries. Its geographical approach gives the cases a shared framework, while images of artworks, perpetrators, and crime scenes and sidebars on artists and works add context. Alongside famous episodes, including the theft of the Mona Lisa, the selection includes lesser-known cases involving stolen paintings, defaced art, and forged works. Together, the entries connect art crime with questions of value, power, and motive, placing these incidents within a broader view of art history.

Good fit for readers who enjoy

  • Readers interested in art history and documented art crimes.
  • Those who enjoy illustrated reference books organized around places and categories.
  • Readers curious about art theft, vandalism, and forgery cases, both famous and lesser-known.

Themes

Art crimeTheft, vandalism, and forgeryGeography and art historyValue, power, and motive

Based on publisher information and book metadata.

Book overview

Mapping out the world's most infamous art thefts, forgeries, and acts of vandalism, this unique and visually striking reference illuminates acts of art crime around the globe.

This book highlights seventy-five incidents in a unique format that allows readers to visualize the geography of art crime from the past two centuries.

Divided by location into sections on thefts, vandalism, and forgeries, each crime is profiled with an absorbing narrative and images of the artworks, perpetrators, and scenes of the crime. Additional sidebars feature compelling information about the artist and/or work of art.

Including renowned crimes such as the 1911 theft of Mona Lisa from the Louvre, the 1972 attack on Michelangelo's sculpture, Our Lady of Piety, at St. Peter's Basilica in Vatican City, and a portrait of the master forger, Elmyr de Hory, this book also includes lesser known incidents: how two Irish students stole a priceless masterpiece from London's Tate Gallery; a young woman overcome by passion who vandalized a Cy Twombly painting with an indelible kiss; an American forger who dresses up as a priest and gives his forgeries away for free; and a Chinese librarian who stole one hundred forty-three paintings by famous Chinese artists and replaced them with his own fakes.

Filled with intrigue, controversies, power dynamics, and unexpected motivations, this is a captivating exploration of the darker side of art history.
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