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Ashwini Bhat: Resonances

by Ashwini Bhat

Art, ecology, and the shaping of place

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AlbakiReads Editorial

Art, ecology, and the shaping of place

Ashwini Bhat’s first monograph gathers work from her ongoing engagement with California’s ecology amid climate change and forest fires. Sculpture, ceramics, installation, and video form a multidisciplinary practice concerned with relationships between body and nature, self and other, and the ways place can transform consciousness. The book pairs images from this body of work with commissioned essays connecting Bhat’s practice to poetry, ceramic craft, and Californian art history. Shorter texts by curators who have worked with her exhibitions place those projects within the larger Assembling California, Assembling Self initiative. The volume is co-published with the John Michael Kohler Arts Center.

Good fit for readers who enjoy

  • Readers interested in contemporary art spanning sculpture, ceramics, installation, and video.
  • Readers exploring art’s relationship with ecology, place, and non-human life.
  • Readers seeking a monograph with essays on poetry, ceramic craft, and Californian art history.

Themes

California ecology and climate changeBody, nature, self, and otherPlace and consciousnessCeramic craft and contemporary art

Based on publisher information and book metadata.

Book overview

Assembling California, Assembling Self is the first monograph by transdiscplinary artist Ashwini Bhat, and traces her long-term personal survey of California's ecology in this time of climate change, shifting habits, and devastating forest fires. Coming from a background in literature and classical Indian dance, Bhat works in sculpture, ceramics, installation, and video, developing a unique visual language exploring the intersections between body and nature, self and other. Her work shows the influence of syncretic shrines and rituals and non-logocentric and non-Western metaphysical concepts of empathy for the non-human. Bhat sees her work, in part, as an act of mapping and remapping consciousness, contributing to a spiritual or psychological archive, with an emphasis on the transformative aspects of place.

 

This monograph will weave a comprehensive selection of images from this body of work with newly commissioned essays by Leah Ollman, Glenn Adamson, and Jenni Sorkin that will contextualize her practice in relation to the worlds of poetry, ceramic craft, and Californian art history, respectively. These longer essays are interspersed with smaller texts by several curators Bhat has worked with, illuminating the ways in which these recent exhibitions are part of the larger and ongoing Assembling California, Assembling Self project.

 

Resonances is co-published with the John Michael Kohler Arts Center.

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