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Approaching the Buddha: Transmission and Transformation

by Hao Sheng

Buddhist sculpture across cultures and centuries

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AlbakiReads Editorial

Buddhist sculpture across cultures and centuries

Bringing together 28 sculptures from the Xuzhou Collection, this volume traces ways the Buddha has been represented across 15 centuries and a wide span of Asian regions, from South and Southeast Asia to the Himalayas and East Asia. An introductory essay by Hao Sheng examines Buddhist sculptural traditions through the reciprocal relationship between an image and its viewer. Further contributions consider sculpture’s functions, the Buddha’s life and teachings, their interpretation for modern viewers, and conservation discoveries connected with the collection. The book presents these works both as objects of art and as forms through which Buddhist stories and teachings have been conveyed.

Good fit for readers who enjoy

  • Readers interested in Buddhist art and sculpture across Asian cultures.
  • Those seeking an illustrated introduction to the Buddha’s life and teachings through artworks.
  • Readers interested in museum collections, art history, and sculpture conservation.

Themes

Buddhist sculpture and visual traditionsCultural transmission across AsiaThe Buddha’s life and teachingsViewing and interpretationArt conservation

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Book overview

Through images of 28 sculptures created over the course of 15 centuries, this book sheds light on how different cultures have depicted the Buddha over time

Approaching the Buddha: Transmission and Transformation highlights works from the Xuzhou Collection of Buddhist Art, a private collection of masterpieces from major Buddhist cultures across the Asian continent. These works tell the life story of the historical Buddha and convey essential tenets of his teaching. The sculptures are recognized as vehicles for enlightenment, and they embody Buddhist insights that remain relevant and valuable in today's world.

The book features 28 works spanning a range of geographic regions, South Asia, Southeast Asia, the Himalayas, and East Asia. An introductory essay by Hao Sheng delves into the fundamental aspects of Buddhist sculptural tradition, with a focus on the reciprocal nature of viewing. Additional essays by curators, art historians, scholars of Asian art, and conservators offer insightful perspectives on the function of Buddhist sculpture, the history and teachings of the Buddha, how these lessons translate to the modern viewer and the groundbreaking conservation findings the Xuzhou Collection has brought to light.

Distributed for the Museum of Fine Arts, Houston

Exhibition Schedule:

The Museum of Fine Arts, Houston
(March 1-May 10, 2026)
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