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Anne Dangar

by Rebecca Edwards

Anne Dangar’s art, life, and legacy

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AlbakiReads Editorial

Anne Dangar’s art, life, and legacy

This illustrated volume brings together a study of Anne Dangar’s life and artistic practice with essays examining her art, networks, and place in Australian modernism. Its account moves from her beginnings in Kempsey and studies in Sydney and Paris to her work at Moly-Sabata in France, where she established an international reputation as a Cubist artist. More than 150 works are reproduced alongside previously unpublished archival material, giving the book a substantial visual and documentary scope. The publication also presents new scholarship and perspectives associated with a retrospective exhibition, making Dangar’s work and its historical context the focus of a broad, collaborative record.

Good fit for readers who enjoy

  • Readers interested in Australian modern art and Cubism.
  • Those seeking an illustrated study of Anne Dangar’s life and artistic practice.
  • Readers interested in archival material and scholarship on artists’ networks and legacy.

Themes

Australian modernismCubism and potteryArtist biographyArtistic networks and legacyArchival research

Based on publisher information and book metadata.

Book overview

The first major publication dedicated to Australia's leading cubist potter

The Australian cubist and potter Anne Dangar (1885-1951) has occupied a unique position in art history as one of the country's most important yet underacknowledged modern artists. This publication accompanies a major retrospective exhibition celebrating Dangar's life and art through previously unknown works, new scholarship, and perspectives on her practice.

In Anne Dangar Rebecca Edwards provides a detailed and engaging account of Dangar's art and life, tracing her beginnings in Kempsey, New South Wales, her studies in Sydney and Paris, and her subsequent journey to Moly-Sabata, Sablons, France. There she established her international reputation as a cubist artist. Featuring contributions by Elena Taylor, Angela Goddard, Anne O'Hehir, A. D. S Donaldson and the late Peter Brooke, the publication surveys Dangar's art, networks and legacy.

With over 150 of the artist's works reproduced, as well as previously unpublished archival material, this richly illustrated book is a comprehensive record of Dangar's impressive artistic output and impact on Australian modernism.

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I highly recommend to for anyone looking for inner clarity

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