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An Alaṅkāra Reader: Classical Indian Poetics

by Yigal Bronner

A long view of Sanskrit theories of poetic ornament

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AlbakiReads Editorial

A long view of Sanskrit theories of poetic ornament

Spanning texts from the sixth to the eighteenth century CE, this reader traces how Sanskrit thinkers developed and reconsidered alaṅkāra—the use of literary figures such as simile, metaphor, and allegory. Translations of key works, including many previously untranslated texts, are paired with Yigal Bronner’s commentary, which explains Sanskrit concepts and situates them historically. The collection also presents a history of the field as a sequence of theoretical changes and growing scholarly interest. Together, its range of primary texts and contextual guidance makes the book a focused resource on a major tradition in classical Indian poetics.

Good fit for readers who enjoy

  • Readers studying Sanskrit literature, classical Indian thought, or South Asian intellectual history.
  • Students and scholars of comparative literature, poetic theory, and aesthetics.
  • Readers interested in how literary figures are analyzed across traditions.

Themes

Sanskrit poeticsLiterary figures and ornamentationSouth Asian intellectual historyComparative aesthetics

Based on publisher information and book metadata.

Book overview

Classical Indian poetics prized the skillful use of alaṅkāras, or "ornaments"--literary figures of speech. Across more than a millennium, Sanskrit writers developed and elaborated an account of literary embellishment that is perhaps the world's most complex and long-standing theory of figuration. Yet it remains the least studied of India's major classical systems of thought.

An Alaṅkāra Reader is a groundbreaking panoramic overview of this tradition, presenting extensive and accessible translations of key works that span its history, from the sixth to eighteenth century CE. These texts vividly show how Indian theorists analyzed simile, metaphor, allegory, and dozens of other figures that are distinctive to their world. Yigal Bronner's commentary makes Sanskrit concepts of ornamentation approachable while placing them in historical context. He provides a new account of the history of Sanskrit poetics, showing how it underwent successive waves of theoretical revolutions and emerged as a prestigious field that attracted a variety of scholars in the early modern era.

Featuring many previously untranslated texts, An Alaṅkāra Reader is an essential resource for the study of classical Indian thought, the intellectual history of South Asia, and comparative literature. It reveals the depth and nuance of Sanskrit's "science of ornaments" for anyone interested in poetic theory, figuration, and aesthetics across world traditions.

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