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African Literature in the World

by Simon Gikandi

African writing, language, and literary history

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AlbakiReads Editorial

African writing, language, and literary history

Simon Gikandi examines how African literature developed through debates over language, the shift from orality to writing, and the novel’s prominent place in literary history. Focusing on the twentieth century, the study considers how writers adapted English and its traditions to express African identities and experiences. It also connects literary works with the public sphere, decolonization, and the politics of language, tracing how modern African writing prompted new criticism around the novel, modernity, and modernism. The book brings questions of literary form and historical change into conversation, offering a framework for understanding African writing both within its local contexts and in relation to broader literary traditions.

Good fit for readers who enjoy

  • Readers studying African literature and its critical history
  • Those interested in language, orality, and the development of the novel
  • Readers exploring literature’s relation to decolonization and modernity

Themes

African literary historyLanguage and identityOrality and writingDecolonization and the public sphereThe novel, modernity, and modernism

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Book overview

In African Literature in the World, Simon Gikandi asks: Why do debates on language continue to inform and haunt African writing? What happened when writing replaced orality as the primary form of creative expression? When, how, and why did the novel come to occupy such a dominant role in African literary history? This is a comprehensive study of the histories and theories of African literature in the twentieth century and shows how African writers adopted and transformed the English language and its traditions to account for African identities and experiences. Concerned with writing and reading as forms of mediation, Gikandi provides examples of how imaginative works shaped the public sphere in Africa in relation to decolonization and the politics of language. He explores how the emergence of a modern tradition of African writing has generated new forms of criticism in relation to the form of the novel, modernity, and modernism.
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