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The Absent Woman: The Genius of Janet Malcolm

by Eve Sneider

Janet Malcolm’s work and the ethics of representation

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AlbakiReads Editorial

Janet Malcolm’s work and the ethics of representation

Drawing on access to Janet Malcolm’s archive, Eve Sneider traces a nearly six-decade career through manuscripts, correspondence, art, and interviews with colleagues and friends. The book connects Malcolm’s interests in photography and psychoanalysis with her arguments about journalism and her later autobiographical writing. It also examines the Jeffrey Masson trials and a question that runs through Malcolm’s work: what responsibilities come with portraying another person? The description indicates that Sneider organizes the account around identities Malcolm embodied, though it ends before naming them.

Good fit for readers who enjoy

  • Readers interested in Janet Malcolm and American literary journalism
  • Readers exploring the ethics of journalism and writing about real people
  • Readers interested in literary biography informed by archival materials

Themes

Janet Malcolm’s literary careerJournalism and representationPhotography and psychoanalysisAutobiographical writingEthics of depicting others

Based on publisher information and book metadata.

Book overview

Janet Malcom was a New Yorker journalist and titan of American letters. Unlike her peers Joan Didion and Susan Sontag, she avoided the personal fame that her renown might have brought despite making herself a character in her work. In The Absent Woman, journalist Eve Sneider, among the first researchers to access Malcolm's archive, insightfully portrays Malcolm and delves into the people and themes that consumed her during a nearly sixty-year career.

From photography to psychoanalysis to how we tell stories, Sneider explores Malcolm's obsessions through her manuscripts, lauded but controversial books, art, correspondence, and interviews with colleagues and friends. Examining Malcolm's infamous trials with former Freudian psychoanalyst Jeffrey Masson, her provocative convictions about the nature of journalism, and her eventual turn to autobiographical writing, Sneider also grapples with the dilemma that attended much of Malcolm's most famous work: the knotted ethics of depicting another person, even as she depicts Malcolm.

Divided into identities that Malcolm embodied--

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