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The Absent Stone: Mexican Patrimony and the Aftershocks of State Theft

by Sandra Rozental

A monument removed, a community unsettled

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AlbakiReads Editorial

A monument removed, a community unsettled

Sandra Rozental’s study centers on the Piedra de los Tecomates, a 167-ton pre-Hispanic carving moved by the Mexican state from Coatlinchan to Mexico City’s National Anthropology Museum in 1964. Drawing on historical and ethnographic research, the book examines how that removal continues to shape life in Coatlinchan. The stone becomes a point of entry into questions about who can claim ancient objects, how national patrimony is defined, and what restitution or healing might mean after state-led removal. Its account connects a specific monument and town to broader debates over museums, territory, memory, nationalism, and the enduring ties between objects and their places of origin.

Good fit for readers who enjoy

  • Readers interested in Mexican history, cultural heritage, and museum collections.
  • Readers exploring debates about repatriation, state patrimony, and material culture.
  • Readers seeking historical and ethnographic research on a specific community and monument.

Themes

Cultural patrimony and museum collectionsState power and removalTerritory, memory, and communityRestitution and healing

Based on publisher information and book metadata.

Book overview

Where and to whom do ancient things belong? What happens when they are stolen--not by a colonial power, but by a national museum claiming them as state patrimony? What kinds of healing and restitution can follow? In The Absent Stone, Sandra Rozental tells the story of the Piedra de los Tecomates, the largest stone monument in the Americas, popularly identified as the pre-Hispanic rain deity Tlaloc. In 1964, the Mexican state called in the military to forcefully relocate this 167-ton carving from the town of Coatlinchan to Mexico City's National Anthropology Museum. Using in-depth historical and ethnographic research, Rozental traces how the stone's absence continues to affect and unsettle Coatlinchan and its residents decades later, revealing the tensions between patrimony, nationalism, territory, memory, and materiality in Mexico. Questioning the premise that historical artifacts belong in museums under state-sanctioned care, The Absent Stone pushes contemporary critical scholarship on monuments and museum collections beyond the language of law, heritage, and cultural property, demonstrating how ancient things remain bound to the people and places they come from even after they are removed and displayed elsewhere.
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