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Abider: Poems

by Melissa Crowe

Love, attachment, and the choice to remain

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Awards & Recognition

  • Critical praise

    Publishers Weekly starred review

    Starred review

AlbakiReads Editorial

Love, attachment, and the choice to remain

In Abider, a speaker’s difficulty leaving people and places becomes the thread linking poems about rural girlhood, early marriage, and connections constrained by heteronormative expectations. The collection holds attachment in tension with the recognition that staying can mean remaining in harm. Its closing sonnet sequence turns that conflict toward a commitment to the self, giving the book’s poems a clear arc from abiding with others to self-abidance.

Good fit for readers who enjoy

  • Readers interested in contemporary poetry about love, identity, and self-regard.
  • Readers seeking poems that explore LGBTQ+ experience and the pressures of heteronormative expectations.
  • Readers drawn to collections combining personal history, odes, elegies, and a sonnet sequence.

Themes

Attachment and leavingRural girlhood and memoryLGBTQ+ identity and heteronormativitySelf-preservation and self-regard

Based on publisher information and book metadata.

Book overview

"Showcasing the poet's ironic best, it's a masterly volume about love, not merely abided, but embodied."
-Publishers Weekly Starred Review

Equal parts sad, sexy, and searching, Abider opens with the central lament/brag of its lover-speaker, that she can never truly leave anything--or anyone--behind. The origins of this abidingness are traced in odes and elegies for a rural girlhood beset with jeopardy and scarcity and neglect. But it was also good-wild, conducive to a reckless freedom she can't help grieving, even as she falls in love at sixteen and marries hard. Meanwhile, other, electric connections are painfully delimited by heteronormative expectations, and her growing dis-ease reveals that she has been trying (and failing) to heal by remaining where she is harmed. She wants--this harrowed, semi-feral girl turned unswerving woman--to stay and go at once, and the tension between her desire for connection and her wish to escape threatens her sense of self and animates these vivid, urgent, tenderhearted poems. Right on time, then, a secret third thing emerges: a final, lush and lucid sonnet sequence that culminates in a promise to abide--first, foremost, always--the self.
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