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39 Microlectures: In Proximity of Performance

by Matthew Goulish

Short forms at the edge of performance

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AlbakiReads Editorial

Short forms at the edge of performance

Matthew Goulish’s collection brings together 39 brief pieces—stories, parables, reflections, and critical thoughts—around reading, writing, art, collaboration, and performance. Its suggested way of reading, moving between entries according to interest, makes the book’s structure part of its inquiry into reading as a creative act. Across its wide-ranging subjects, it also considers life, death, and the universe, while blurring the usual boundary between poetry and criticism, and between creative practice and theory. The miniature format gives these varied questions room to stand alongside one another without requiring a single continuous argument.

Good fit for readers who enjoy

  • Readers interested in performance and theater dramaturgy
  • Those exploring the overlap between creative practice and criticism
  • Readers who enjoy collections of short reflections and parables

Themes

Performance and collaborationReading and writingArt, poetry, and criticismLife and death

Based on publisher information and book metadata.

Book overview

'A series of accidents has brought you this book.
You may think of it not as a book, but as a library, an elevator, an amateur performance in a nearby theatre.
Open it to the table of contents.
Turn to the page that sounds the most interesting to you.
Read a sentence or two.
Repeat the process.
Read this book as a creative act, and feel encouraged.'
39 Microlectures: In Proximity of Performance is a collection of miniature stories, parables, musings and thinkpieces on the nature of reading, writing, art, collaboration, performance, life, death, the universe and everything. It is a unique and moving document for our times, full of curiosity and wonder, thoughtfulness and pain.
Matthew Goulish, founder member of performance group Goat Island, meditates on these and other diverse themes, proving, along the way, that the boundaries between poetry and criticism, and between creativity and theory, are a lot less fixed than they may seem. The book is revelatory, solemn yet at times hilarious, and genuinely written to inspire - or perhaps provoke - creativity and thought.

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