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The Years of Blood: Stories from a Reporting Life in Latin America

by Alma Guillermoprieto

Reporting across Latin America’s past and present

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AlbakiReads Editorial

Reporting across Latin America’s past and present

Collected from more than four decades of reporting, this third volume brings together encounters with people living amid political and cartel violence, from victims’ families and street sweepers to artists and politicians. Its essays connect local circumstances across the region, including the effects of the war on drugs in rural and impoverished communities. Alongside this reporting, Guillermoprieto considers how Latin American art gives form to nostalgia and pain. The collection frames these accounts against recurring patterns in the region’s history and the pressures of a new era of populism and demagoguery.

Good fit for readers who enjoy

  • Readers interested in Latin American history and contemporary politics.
  • Readers seeking reporting on violence, drug policy, and its effects on communities.
  • Readers interested in the connections between art, memory, and political experience.

Themes

Latin American history and politicsState and cartel violenceThe war on drugsArt, nostalgia, and painRecurring patterns of the past

Based on publisher information and book metadata.

Book overview

For forty years and more Alma Guillermoprieto has wandered tirelessly over the countries of Latin America, interviewing assassins and the families of their victims, talking to street sweepers and artists, rowdy carnival makers and thoughtful politicians (and plenty of rowdy politicians as well). Guillermoprieto draws out common threads in different contexts, like the effects of The War on Drugs in rural and poverty-stricken regions and the experiences of people mixed up in the fray of state- or cartel-sponsored violence. At the same time, she shows how Latin American art translates nostalgia and pain into great beauty. In The Years of Blood, the third volume of her collected reporting, she completes her complex and always compelling portrait of the Latin America of our times, in all its tragedy and glory, as it enters a new era of populism and demagoguery, and tries, yet again, to answer the great unsolved question: How do we change our future so that it does not so exhaustingly resemble our past?
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