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Yankee Doodle Dandy: George M. Cohan and the Broadway Stage

by Elizabeth T. Craft

George M. Cohan and the making of a Broadway-era American identity

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Hardcover New English

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AlbakiReads Editorial

George M. Cohan and the making of a Broadway-era American identity

Elizabeth T. Craft places George M. Cohan within the social and theatrical currents of the early twentieth century, when debates over American identity gained fresh force amid sweeping change. Covering his work as a playwright, composer, performer, director, and producer, the book considers how a vaudeville-rooted Irish American came to represent himself—and be remembered—as a distinctly national Broadway figure. Cohan’s familiar songs and stage career serve here as entry points into larger questions of class, ethnicity, popular entertainment, and the cultural work of musical theater. Framed as the first book on Cohan in fifty years, it connects one influential theatrical career to the formation of an American cultural landscape.

Good fit for readers who enjoy

  • Broadway and musical-theater history enthusiasts
  • Students and scholars of American cultural history
  • Readers interested in vaudeville, ethnicity, and national identity in popular culture

Themes

Broadway historyGeorge M. CohanAmerican identityIrish American representationVaudeville and musical comedy

Based on publisher information and book metadata.

Book overview

Playwright, composer, actor, director, and producer George M. Cohan looms large in musical theater legend. Remembered today for classic tunes like "You're a Grand Old Flag" and "Give My Regards to Broadway," he has been called "the father of musical comedy," and his statue stands in the heart of the New York theater district. Cohan's early twentieth-century shows and songs captured the spirit of an era when staggering social change gave new urgency to efforts to define Americanism. He was an Irish American who had the audacity to represent himself as the Yankee Doodle emblem of the nation, a vaudevillian who had the nerve to unapologetically climb the ranks and package his lower-brow style as Broadway.

In Yankee Doodle Dandy, the first book on Cohan in fifty years, author Elizabeth T. Craft situates Cohan as a central figure of his day. Examining his multifaceted contributions and the various sociocultural identities he came to embody, Craft shows how Cohan and his works indelibly shaped the American cultural landscape. Informative and engaging, this book offers rich reading for Broadway musical aficionados as well as scholars of musical theater and American cultural history.
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