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Women Rapping Revolution: Hip Hop and Community Building in Detroit Volume 1

by Rebekah Farrugia

Women, Hip Hop, and Grassroots Organizing in Detroit

Regular price $36.20 USD
Regular price $36.20 USD Sale price $36.20 USD

Paperback New English

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AlbakiReads Editorial

Women, Hip Hop, and Grassroots Organizing in Detroit

Drawing on seven years of fieldwork, Rebekah Farrugia examines Detroit’s women-centered hip hop collective the Foundation and its place within the city’s renewal and development debates. The book connects underground hip hop to grassroots responses to political and social pressure, centering Black women’s cultural work, self-definition, and approaches to self-care within community organizing. Interviews and critical engagement with artists and activists frame cultural production as part of wider struggles around racial, economic, and social justice. Grounded in a specific Detroit collective, it offers a focused study of how music scenes can function as spaces for collective action and community building.

Good fit for readers who enjoy

  • Readers interested in hip hop studies and Detroit music history
  • Those exploring Black women’s activism and cultural production
  • Students of community organizing, race, and social justice

Themes

DetroitWomen in hip hopBlack women’s organizingCommunity buildingSocial and economic justice

Based on publisher information and book metadata.

Book overview

Detroit, Michigan, has long been recognized as a center of musical innovation and social change. Rebekah Farrugia and Kellie D. Hay draw on seven years of fieldwork to illuminate the important role that women have played in mobilizing a grassroots response to political and social pressures at the heart of Detroit's ongoing renewal and development project. Focusing on the Foundation, a women-centered hip hop collective, Women Rapping Revolution argues that the hip hop underground is a crucial site where Black women shape subjectivity and claim self-care as a principle of community organizing. Through interviews and sustained critical engagement with artists and activists, this study also articulates the substantial role of cultural production in social, racial, and economic justice efforts.
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