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Weak Planet: Literature and Assisted Survival

by Wai Chee Dimock

Literature, vulnerability, and collective survival

Regular price $30.79 USD
Regular price $32.42 USD Sale price $30.79 USD
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Paperback New English

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Print BookCurrently viewing Paperback $30.79 USD$32.42 USD
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AlbakiReads Editorial

Literature, vulnerability, and collective survival

Wai Chee Dimock considers literature alongside the vulnerabilities associated with climate change, fragile institutions, pandemics, and democracy. Bringing Native American studies, disability studies, and environmental humanities into conversation, the book frames survival as a collaborative, ongoing practice grounded in relations with strangers and the nonhuman world. Its examples include user-amended captivity narratives connected to Louise Erdrich and Sherman Alexie, as well as later reworkings of Moby-Dick by C. L. R. James, Frank Stella, and Amitav Ghosh. Across these cases, Dimock emphasizes incomplete acts, reinterpretation, and forms of assistance that extend a work’s life.

Good fit for readers who enjoy

  • Readers of literary criticism linking texts to climate and environmental questions
  • Students and scholars interested in Native American studies, disability studies, and the environmental humanities
  • Readers interested in reinterpretations, sequels, and collective authorship in literature

Themes

VulnerabilityClimate changeAssisted survivalHuman and nonhuman kinshipLiterary afterlives

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Book overview

Vulnerability. We see it everywhere. In once permanent institutions. In runaway pandemics. In democracy itself. And most frighteningly, in ecosystems with no sustainable future. Against these large-scale hazards of climate change, what can literature teach us? This is the question Wai Chee Dimock asks in Weak Planet, proposing a way forward, inspired by works that survive through kinship with strangers and with the nonhuman world.

Drawing on Native American studies, disability studies, and environmental humanities, Dimock shows how hope can be found not in heroic statements but in incremental and unspectacular teamwork. Reversing the usual focus on hegemonic institutions, she highlights instead incomplete gestures given an afterlife with the help of others. She looks at Louise Erdrich's and Sherman Alexie's user-amended captivity narratives; nontragic sequels to Moby-Dick by C. L. R. James, Frank Stella, and Amitav Ghosh; induced forms of Irishness in Henry James, Colm T
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