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Visions of Jazz: The First Century

by Gary Giddins

A wide-ranging portrait gallery of jazz across its first century

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Paperback New English

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AlbakiReads Editorial

A wide-ranging portrait gallery of jazz across its first century

Organized in seventy-nine chapters, this revised volume brings together profiles of major jazz figures spanning Louis Armstrong, Duke Ellington, Sarah Vaughan, and Ornette Coleman. Gary Giddins also places performers commonly associated with American popular song—including Irving Berlin, Rosemary Clooney, and Frank Sinatra—within a broader conversation about jazz and its borders. A substantial portion turns to younger, still-active artists, extending the book beyond an established historical canon. The emphasis is on individual musicians and the evolving range of the music, making the volume a broad reference point for jazz’s performers, styles, and connections to popular music.

Good fit for readers who enjoy

  • Jazz listeners seeking substantial coverage of key musicians across the genre’s first century
  • Readers interested in the relationship between jazz and American popular song
  • Music readers who enjoy artist-focused cultural history

Themes

Jazz historyMusician profilesJazz and popular musicChanging definitions of jazzAmerican music

Based on publisher information and book metadata.

Book overview

Poised to become a classic of jazz literature, Visions of Jazz: The First Century offers seventy-nine chapters illuminating the lives of virtually all the major figures in jazz history. From Louis Armstrong's renegade-style trumpet playing to Sarah Vaughan's operatic crooning, and from the swinging elegance of Duke Ellington to the pioneering experiments of Ornette Coleman, jazz critic Gary Giddins continually astonishes the reader with his unparalleled insight. Writing with the grace and wit that have endeared his prose to Village Voice readers for decades, Giddins also widens the scope of jazz to include such crucial American musicians as Irving Berlin, Rosemary Clooney, and Frank Sinatra, all primarily pop performers who are often dismissed by fans and critics as mere derivatives of the true jazz idiom. And he devotes an entire quarter of this landmark volume to young, still-active jazz artists, boldly expanding the horizons of jazz--and charting and exploring the music's influences as no other book has done.
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