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Uncensored: Views & (Re)Views

by Joyce Carol Oates

A wide-ranging collection of literary essays, reviews, and reassessments

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AlbakiReads Editorial

A wide-ranging collection of literary essays, reviews, and reassessments

Joyce Carol Oates gathers thirty-eight nonfiction pieces originally published in major literary outlets, using the essay and review as spaces for critical engagement. The collection moves between examinations of controversial writers—including Sylvia Plath, Patricia Highsmith, and Muriel Spark—and discussions of contemporary novelists and memoirists such as Kazuo Ishiguro, Anne Tyler, Mary Karr, and Ann Patchett. Sections framed as “homages” and “revisits” broaden the book’s attention to influential literary and cultural figures. Across its varied subjects, the volume foregrounds evaluative writing: how authors, reputations, and individual works can be reconsidered through sustained criticism.

Good fit for readers who enjoy

  • Readers interested in literary criticism and author-centered essays
  • Fans of Joyce Carol Oates’s nonfiction
  • Readers seeking discussions of classic and contemporary writers

Themes

Literary criticismAuthor reputationsReassessmentContemporary literatureLiterary homage

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Book overview

Uncensored: Views & (Re)views is Joyce Carol Oates's most candid gathering of prose pieces since (Woman) Writer: Occasions & Opportunities. Her ninth book of nonfiction, it brings together thirty-eight diverse and provocative pieces from the New York Review of Books, the Times Literary Supplement, and the New York Times Book Review.

Oates states in her preface, "In the essay or review, the dynamic of storytelling is hidden but not absent," and indeed, the voice of these "conversations" echoes the voice of her fiction in its dramatic directness, ethical perspective, and willingness to engage the reader in making critical judgments. Under the heading "Not a Nice Person," such controversial figures as Sylvia Plath, Patricia Highsmith, and Muriel Spark are considered without sentimentality or hyperbole; under "Our Contemporaries, Ourselves," such diversely talented figures as William Trevor, E. L. Doctorow, Kazuo Ishiguro, Michael Connelly, Alice Sebold, Mary Karr, Anne Tyler, and Ann Patchett are examined. In sections of "homages" and "revisits," Oates writes with enthusiasm and clarity of such cultural icons as Emily Bront

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