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The Sunbonnet: An American Icon in Texas

by Rebecca Jumper Matheson

A cultural history of the sunbonnet beyond its frontier image

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Paperback New English

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AlbakiReads Editorial

A cultural history of the sunbonnet beyond its frontier image

Rebecca Jumper Matheson examines the sunbonnet as both a practical garment and a durable American symbol. Centering on the twentieth century while tracing earlier history, the book considers why an accessory associated with nineteenth-century workwear remained visible in regional dress and popular imagery. Its scope connects fashion and construction details—materials, care, and design variations—with larger questions of American culture, ideals, class, and race. Oral histories, literary references, and primary-source images, including photographs and examples from museum and private collections, position the sunbonnet within everyday life as well as collections and visual culture.

Good fit for readers who enjoy

  • Dress and textile history researchers
  • Readers interested in American material culture and women’s studies
  • Collectors and reenactors interested in historical clothing

Themes

Sunbonnet historyAmerican fashionMaterial cultureClass and raceTextile construction

Based on publisher information and book metadata.

Book overview

Pervasive and fashionable throughout westward expansion in the United States, the sunbonnet endures as work dress in some regions and as icon just about everywhere--on quilts, dolls, and children's clothing. In 2003, Rebecca Matheson began to ask why. Unlike the scant previously published work, this first book-length study focuses on the twentieth century and why this particular working-dress accessory persisted long after it passed out of nineteenth-century fashion. Surveying its previous history, Matheson pursues what the sunbonnet reveals about twentieth-century American fashion, culture, and ideals, as well as class- and race-related issues. Detailing materials and methods of sunbonnet construction and care, she also addresses differences in sunbonnet design. Enlivening the study's fresh approach are oral histories and arresting primary source images, such as photographs by Dorothea Lange and sunbonnets from American collections private and public, including the Costume Institute of the Metropolitan Museum of Art, the Texas Fashion Collection, and the Museum of Texas Tech University. Literary context--fiction and nonfiction--also enriches the text. A resource for historians and other scholars in dress, American and women's studies, and popular and material culture, The Sunbonnet should also enjoy wide appeal among collectors, reenactors, and anyone drawn to this American icon.
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