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Situation Aesthetics: The Work of Michael Asher

by Kirsi Peltomaki

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Art understood through its settings and participants

$35.24 USD
$35.24 USD $35.24 USD

Paperback New English

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AlbakiReads Editorial

Art understood through its settings and participants

Kirsi Peltomäki’s study frames Michael Asher’s work through the conditions that surround art: the institutions, collections, histories, and museum spaces where it is encountered. Its emphasis shifts attention from the art object alone to the human subject’s participatory role. The book places Asher’s practice, developed since the late 1960s, in conversation with broader questions about how contemporary art is shaped by its contexts. This approach makes the institutional setting part of the subject under examination, not simply a backdrop.

Good fit for readers who enjoy

  • Readers interested in Michael Asher and artist monographs.
  • Readers exploring institutional and participatory approaches to contemporary art.
  • Readers studying how museums and art contexts shape artistic practice.

Themes

Institutional contexts of artParticipation and the human subjectContemporary art and its conditions

Based on publisher information and book metadata.

Book overview

The first book-length study of this influential artist's work, focusing on the participatory role of the human subject rather than the art object.

Michael Asher doesn't make typical installations. Instead, he extracts his art from the institutions in which it is shown, culling it from collections, histories, or museums' own walls. Since the late 1960s, Asher has been creating situations that have not only taught us about the conditions and contexts of contemporary art, but have worked to define it.

In Situation Aesthetics, Kirsi Peltom

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