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The Routledge Companion to Literary Media

by Astrid Ensslin

Literature across media, genres, and audiences

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Paperback New English

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AlbakiReads Editorial

Literature across media, genres, and audiences

This edited collection broadens “literary media” beyond the printed book, bringing literature into conversation with popular culture, emerging technologies, platforms, and varied reading communities. Its chapters range from concepts and histories linking literature with media to discussions of forms such as locative narratives and autofiction, changing ideas of authorship, and the production and promotion of literary materials. Audience engagement also receives attention through subjects including Indigenous and oral storytelling, book clubs, children and young adults, and prize and review cultures. The volume offers a wide-ranging map of how literary study intersects with media forms and the contexts in which works are published and encountered.

Good fit for readers who enjoy

  • Scholars and students in literary studies or media studies
  • Readers interested in literary forms shaped by digital platforms and emerging technologies
  • Those studying publishing, reading communities, or audience engagement

Themes

Literature and mediaEmerging literary formsAuthorship and publishingReading communities and audience engagement

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Book overview

The Routledge Companion to Literary Media examines the fast-moving present and future of a media ecosystem in which the literary continues to play a vital role. The term 'literary media' challenges the tendency to hold the two terms distinct and broadens accepted usage of the literary to include popular cultural forms, emerging technologies and taste cultures, genres, and platforms, as well as traditions and audiences all too often excluded from literary histories and canons.

Featuring contributions from leading international scholars and practitioners, the Companion provides a comprehensive guide to existing terms and theories that address the alignment of literature and a variety of media forms. It situates the concept in relation to existing theories and histographies; considers emerging genres and forms such as locative narratives and autofiction; and expands discussion beyond the boundaries by which literary authorship is conventionally defined. Contributors also examine specific production and publishing contexts to provide in-depth analysis of the promotion of literary media materials. The volume further considers reading and other aspects of situated audience engagement, such as Indigenous and oral storytelling, prize and review cultures, book clubs, children, and young adults.

This authoritative collection is an invaluable resource for scholars and students working at the intersection of literary and media studies.

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