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Queerness in Heavy Metal Music: Metal Bent

by Amber R. Clifford-Napoleone

A queer intervention in heavy metal studies

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Hardcover New English

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AlbakiReads Editorial

A queer intervention in heavy metal studies

Amber R. Clifford-Napoleone examines queer fans, performers, and community spaces as integral parts of heavy metal culture. Addressing scholarship that has often framed the genre through a narrow opposition of heterosexual hypermasculinity and hyperfemininity, the book brings gender and sexuality into fuller view. It challenges simplified assumptions about metal as inherently masculine, violent, or homophobic while considering how queerness relates to the genre’s subcultural ethos. Published within music studies, Metal Bent offers a focused framework for thinking about identity, belonging, and representation in heavy metal.

Good fit for readers who enjoy

  • Students and researchers of heavy metal and popular music studies
  • Readers interested in queer theory, gender, and sexuality in music cultures
  • Those exploring subcultures, fandom, and performance

Themes

Queerness in heavy metalGender and sexualityMusic subculturesFans and performersRepresentation and belonging

Based on publisher information and book metadata.

Book overview

This book focuses on queer fans, performers, and spaces within the heavy metal sphere, and demonstrates the importance and subcultural significance of queerness to the heavy metal ethos. Heavy metal scholarship has until recently focused on the roles of heterosexual hypermasculinity and hyperfemininity in fans and performers. The dependence on that narrow dichotomy has limited scholarship, resulting in poorly critiqued discussions of gender and sexuality that underpin the popular imagining of heavy metal as violent, homophobic and inherently masculine. This book queers heavy metal studies, bringing discussions of gender and sexuality in heavy metal out of that poorly theorized dichotomy.

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