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Play the Way You Feel: The Essential Guide to Jazz Stories on Film

by Kevin Whitehead

Jazz on Screen, Examined Through the Music

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Hardcover New English

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AlbakiReads Editorial

Jazz on Screen, Examined Through the Music

Covering 93 years of movies, cartoons, and selected television programs, Kevin Whitehead maps how screen stories have imagined jazz: through origin myths, biographies, musicals, comedies, dramas, and depictions of musicians at work. The book treats music as its central lens while tracking recurring narrative conventions, familiar plot turns, and the genre’s characteristic endings. Alongside films from early sound cinema to recent productions, it addresses questions of historical representation—where jazz films clarify the past and where they reshape it—and pauses for focused discussions of subjects including the Cotton Club, 1930s vaudeville, individual songs, and improvisation in filmmaking. The scope connects canonical directors with the broader history of jazz-themed screen media.

Good fit for readers who enjoy

  • Jazz listeners interested in how the music has been represented in film and television
  • Film-history readers exploring jazz biopics, musicals, dramas, and genre conventions
  • Viewers seeking critical context for jazz-related movies across different eras

Themes

Jazz and cinemaMusic in screen storytellingFilm historyHistorical representationImprovisation

Based on publisher information and book metadata.

Book overview

Jazz stories have been entwined with cinema since the inception of jazz film genre in the 1920s, giving us origin tales and biopics, spectacles and low-budget quickies, comedies, musicals, and dramas, and stories of improvisers and composers at work. And the jazz film has seen a resurgence in recent years--from biopics like Miles Ahead and HBO's Bessie, to dramas Whiplash and La La Land. In Play the Way You Feel, author and jazz critic Kevin Whitehead offers a comprehensive guide to these films and other media from the perspective of the music itself. Spanning 93 years of film history, the book looks closely at movies, cartoons, and a few TV shows that tell jazz stories, from early talkies to modern times, with an eye to narrative conventions and common story points. Examining the ways historical films have painted a clear picture of the past or overtly distorted history, Play the Way You Feel serves up capsule discussions of sundry topics including Duke Ellington's social life at the Cotton Club, avant-garde musical practices in 1930s vaudeville, and Martin Scorsese's improvisatory method on the set of New York, New York.

Throughout the book, Whitehead brings the same analytical bent and concise, witty language listeners know from his jazz segments on NPR's Fresh Air with Terry Gross. He investigates well-known songs, traces the development of the stock jazz film ending, and offers fresh, often revisionist takes on works by such directors as Howard Hawks, John Cassavetes, Shirley Clarke, Francis Ford Coppola, Clint Eastwood, Spike Lee, Robert Altman, Woody Allen and Damien Chazelle. In all, Play the Way You Feel is a feast for film-genre fanatics and movie-watching jazz enthusiasts.
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