The Oxford Handbook of Critical Improvisation Studies, Volume 1
An interdisciplinary map of improvisation across the arts, sciences, and social life
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AlbakiReads Editorial
An interdisciplinary map of improvisation across the arts, sciences, and social life
Edited by George E. Lewis, this first volume situates improvisation far beyond a single musical technique. It gathers work from more than sixty scholars to examine improvisation as a feature of artistic practice, everyday conversation, and relationships with natural and built environments. The collection brings architecture, anthropology, dance, computer science, cognitive science, education, philosophy, sociology, sound art, music studies, and many other fields into dialogue. Its broad scope makes the volume a resource for considering how spontaneous creation, interaction, and adaptation are studied across disciplines.
Good fit for readers who enjoy
- Students and researchers in music, performance, and improvisation studies
- Readers interested in interdisciplinary approaches to creativity and human interaction
- Scholars working across arts, social sciences, and technology studies
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