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The Once and Future Riot

by Joe Sacco

A documented inquiry into political violence

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AlbakiReads Editorial

A documented inquiry into political violence

Joe Sacco’s graphic nonfiction examines the 2013 Muzaffarnagar Riot in Uttar Pradesh through accounts from officials, political leaders, village chiefs, and victims, many of them landless peasants. The investigation considers how competing accounts take shape before and after communal violence, and how crowds, political rhetoric, and perpetrators’ explanations figure in the events. Its close attention to one Indian episode also opens questions about political violence in other divided societies, while keeping the inquiry grounded in the people and circumstances of Muzaffarnagar.

Good fit for readers who enjoy

  • For readers of graphic nonfiction and comics journalism.
  • For readers interested in modern Indian history and communal violence.
  • For readers exploring how political violence is narrated and rationalized.

Themes

Communal violencePolitical rhetoric and crowdsCompeting narrativesDisplacement and victim testimony

Based on publisher information and book metadata.

Book overview

From "our greatest living comics journalist" (Minneapolis Star Tribune), a revelatory investigation of deadly sectarian riots in Uttar Pradesh, India, that explores the mechanics, dynamics, mythologies, uses, and abuses of political violence everywhere

Compared to other episodes of lethal Indian communal violence, the clashes in Uttar Pradesh in 2013, the Muzaffarnagar Riot, were a relatively small-scale affair--some scores of people were killed and several tens of thousands displaced. It had happened before and will probably happen again: Hindus and Muslims, armed with guns and swords, riled up by vitriolic rhetoric and a tangle of accusations, turn on one another. The truth fragments along religious lines, both in the lead-up to the rampage and in its bloody aftermath.

In The Once and Future Riot, Joe Sacco immerses himself in Uttar Pradesh, speaking to government officials, political leaders, village chiefs, and especially the victims, who were mostly landless peasants, in a quest to understand this riot as an archetype of political violence. In the process, he probes the role of savagery in a democracy; the power of crowds, rather than leaders, to influence the course of events; the collision of competing narratives; and the accounts that perpetrators construct to explain away their participation in bloodshed.

Hailed as "the heir to R. Crumb and Art Spiegelman" (Economist), Sacco has chronicled the urgent histories that define the world around us, from the Great War to Gaza. Here, he turns his masterful visual reportage to a story that is specific to India but with implications and resonance for all precarious multiethnic, multiracial societies everywhere.

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