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Metal Rules the Globe: Heavy Metal Music around the World

by Jeremy Wallach

Heavy metal as a global culture of identity and dissent

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Paperback New English

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AlbakiReads Editorial

Heavy metal as a global culture of identity and dissent

An edited collection of ethnographic studies, Metal Rules the Globe maps heavy metal scenes across locations including Brazil, China, Indonesia, Israel, Japan, Malta, Nepal, Norway, Slovenia, and the United States. The volume treats metal not as a uniform international export but as a set of local cultures, shaped by distinct meanings, social conditions, and musical communities. Its contributors examine how masculinity, class, race, ethnicity, the music industry, and globalization intersect within these scenes. Particular attention goes to metal’s role among disenfranchised young people negotiating social change, as well as fans’ critiques of consumerism and cultural convention. Community and the physical force of amplified sound remain central concerns alongside the book’s social analysis.

Good fit for readers who enjoy

  • Readers interested in heavy metal beyond its Anglo-American history
  • Students of ethnomusicology, popular music, and global youth cultures
  • Fans curious about metal scenes in different countries and communities

Themes

GlobalizationHeavy metal subculturesIdentity and communityYouth and social changeClass, race, and ethnicity

Based on publisher information and book metadata.

Book overview

During the past three decades, heavy metal music has gone global, becoming a potent source of meaning and identity for fans around the world. In Metal Rules the Globe, ethnographers and some of the foremost authorities in the burgeoning field of metal studies analyze this dramatic expansion of heavy metal music and culture. They take readers inside metal scenes in Brazil, Canada, China, Easter Island, Indonesia, Israel, Japan, Malaysia, Malta, Nepal, Norway, Singapore, Slovenia, and the United States, describing how the sounds of heavy metal and the meanings that metalheads attribute to them vary across cultures. The contributors explore the dynamics of masculinity, class, race, and ethnicity in metal scenes; the place of metal in the music industry; and the ways that disenfranchised youth use metal to negotiate modernity and social change. They reveal heavy metal fans as just as likely to criticize the consumerism, class divisiveness, and uneven development of globalization as they are to reject traditional cultural norms. Crucially, they never lose sight of the sense of community and sonic pleasure to be experienced in the distorted, pounding sounds of local metal scenes.

Contributors. Idelber Avelar, Albert Bell, Dan Bendrups, Harris M. Berger, Paul D. Greene, Ross Hagen, Sharon Hochhauser, Shuhei Hosokawa, Keith Kahn-Harris, Kei Kawano, Rajko Mursič, Steve Waksman, Jeremy Wallach, Robert Walser, Deena Weinstein, Cynthia P. Wong

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