A Year When War, Jazz, and National Identity Reshaped American Music
Organized month by month from New Year’s Eve 1916 through New Year’s Day 1918, this cultural history traces how World War I altered the American musical landscape. Bomberger brings together eight musicians working across jazz, military bands, concert music, and performance traditions associated with Europe, including Nick LaRocca, Freddie Keppard, James Reese Europe, Walter Damrosch, Karl Muck, Fritz Kreisler, Olga Samaroff, and Ernestine Schumann-Heink. Their intersecting careers frame a period in which jazz gained national prominence, patriotic expectations intensified, and German-linked artists faced public suspicion. The book uses 1917 as a focused lens on changing ideas about whose music could represent America and how musicians navigated the political pressures surrounding performance.
Good fit for readers who enjoy
- Readers interested in American music during World War I
- Jazz history readers seeking its early national emergence
- Those interested in the relationship between culture, patriotism, and public suspicion
Themes
World War IJazz and American identityClassical music and German influencePatriotismMusicians under political pressure
Based on publisher information and book metadata.