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L'Estro Armonico, Op. 3, in Full Score: 12 Concertos for 1, 2 and 4 Violins

by Antonio Vivaldi

Vivaldi’s landmark set of concertos in a complete score edition

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AlbakiReads Editorial

Vivaldi’s landmark set of concertos in a complete score edition

This full-score volume gathers the twelve concertos of Vivaldi’s L’estro armonico, a collection structured in four groups of three. Each group pairs concertos for four solo violins, two solo violins, and a single solo violin, making the changing relationships between soloists and ensemble central to the set’s design. The music is presented as a key example of Vivaldi’s work with concerto form, featuring varied instrumentation, prominent violin writing, rhythmic energy, and distinct thematic treatment across the ensemble. Newly edited and engraved under the guidance of Italian Baroque specialist Eleanor Selfridge-Field, the edition offers the complete collection in one 257-page paperback score.

Good fit for readers who enjoy

  • Violinists and ensemble musicians studying Baroque concerto repertory
  • Conductors, music students, and scholars who use full orchestral scores
  • Listeners exploring Vivaldi beyond The Four Seasons

Themes

Baroque concertoViolin virtuositySoloist and ensemble interplayItalian Baroque musicConcerto form

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Book overview

Although he composed in many musical genres, Vivaldi truly redefined the concerto and made it distinctly his own. And although adept at writing for a variety of instruments, the violin remained his primary instrument. The composer's 12 concertos known as "L'estro armonico" [Harmonic Innovation] are distinguished from all other ensemble music of their time by their emphasis on virtuosity, their rhythmic exuberance, flexible instrumentation, independent approaches to thematic development, and their genuine innovations in concerto form.
This magnificent work, dedicated to the Florentine Grand Prince Ferdinand III de Medici, incorporates twelve works organized as four sets. Each set contains a concerto for four solo violins, one for two solo violins, and one for a single solo violin.
A distinguished addition to the music literature, this volume has been newly edited and engraved under the guidance of Dr. Eleanor Selfridge-Field, a recognized authority on music of the Italian Baroque, with associate editor Edmund Correia, Jr.

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