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Landscapes of the Imagination

by Gerald C. Cupchik

A compact inquiry into imagination as a force in daily life, art, and thought

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Paperback New English

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AlbakiReads Editorial

A compact inquiry into imagination as a force in daily life, art, and thought

Gerald C. Cupchik treats imagination not as a narrow mental activity but as a broad part of how people form images, fantasize, plan, understand reality, and pursue desires. Organized in four sections, the book moves from everyday manifestations of imagination to aesthetic experience and scholarly frameworks, before proposing an integrative model. Its scope joins psychological questions with philosophical concerns about what is real and what can be known, while also tracing connections among the many English terms associated with imagination. At 76 pages, it presents a concise conceptual map of imagination’s roles across personal and cultural life.

Good fit for readers who enjoy

  • Readers interested in psychology and philosophical questions about mind and reality
  • Those exploring imagination in everyday life and aesthetic experience
  • Students seeking a short, structured introduction to theories of imagination

Themes

ImaginationEveryday mental lifeAesthetic experienceReality and knowledgePsychological theory

Based on publisher information and book metadata.

Book overview

The idea that imagination is everywhere in our lives, and that reality is an illusion, may sound absurd to the concrete mind. This book will try to convince you that imagination manifests in different 'phases, ' encompassing even the most fundamental ideas about what is real (ontology) and what is true (epistemology). It is present in the contents (e.g., images) and the acts (e.g., fantasy) of our minds. Imagination helps us remove barriers through conscious planning and finds ways to fulfill unconscious desires. The many words related to imagination in the English language are part of a unified web and share a "family resemblance." The first section of this book deals with imagination in everyday life, the second focuses on aesthetic imagination, and the third discusses scholarly approaches that incorporate both imagination types. The fourth section proposes a unified model integrating the diverse ways that imagination is manifested in our culture.
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