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Framing Hitchcock: Selected Essays from the Hitchock Annual

by Sidney Gottlieb

A collection of essays on Hitchcock’s work and methods

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Paperback New English

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AlbakiReads Editorial

A collection of essays on Hitchcock’s work and methods

Bringing together writing from the first decade of the Hitchcock Annual, this collection ranges across the filmmaker’s career. Its essays combine historical research into working methods and production conditions with close attention to individual films. Early material includes Hitchcock’s work in Germany and the silent film *Easy Virtue*; other contributions trace recurring motifs, from kissing scenes to women’s handbags as objects linked with suspense and sexual tension. Discussions also take up films including *Dial M for Murder*, *Psycho*, *Vertigo*, *The Birds*, and *Frenzy*. The result is a topic-spanning volume that places archival inquiry alongside interpretations of how particular images and themes function across Hitchcock’s films.

Good fit for readers who enjoy

  • Hitchcock scholars seeking essays that span his career and filmmaking methods.
  • General readers interested in historical context and analysis of Hitchcock’s films.
  • Film students exploring recurring visual motifs and themes in classic cinema.

Themes

Hitchcock’s filmmaking methods and working conditionsFilm history and interpretationRecurring images and motifsSuspense and sexual tension

Based on publisher information and book metadata.

Book overview

In its ten-year history, the Hitchcock Annual has established itself as a key source of historical information and critical commentary on one of the central figures in film history and arguably one of the most important artists of the twentieth century. Fans of Alfred Hitchcock--both scholars and general readers alike--will be entertained and informed by this selection of writings, which offers an overview of the current thinking on the filmmaker and his work. The articles span his career and cover a wide range of topics from archeological investigations uncovering new details about his working methods and conditions to incisive analyses of the films themselves.
The collection begins with rare insights into Hitchcock's early years, including his work in Germany and his silent film Easy Virtue, which, with its metaphoric play on the concept of "being framed," dramatizes aspects of the human condition to which Hitchcock returned repeatedly. Commentators explore a variety of themes, including the centrality of kissing shots and sequences in nearly all the films, and images of women's handbags as elements of suspense and sexual tension in such films as Dial M for Murder and Psycho. Other essays examine the influence of Vertigo, The Birds, and Frenzy on Fran

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