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Fashion Theory: An Introduction

by Malcolm Barnard

A cross-disciplinary map of the ideas used to interpret fashion

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Paperback New English

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AlbakiReads Editorial

A cross-disciplinary map of the ideas used to interpret fashion

Malcolm Barnard approaches fashion not simply as an industry or a succession of trends, but as a subject shaped by competing ways of thinking. The book introduces influential theoretical frameworks and examines the assumptions behind everyday claims about clothing, style, production and consumption. Its scope moves across fashion’s historical meanings, its role in communication and identity, relationships between clothing and the body, and questions of globalization, colonialism, labour, fetish and eroticism. Examples and case studies ground the discussion, while the book also considers how disciplines can illuminate—or oversimplify—the complexity of fashion.

Good fit for readers who enjoy

  • Students of fashion, textiles, cultural studies, sociology or gender studies
  • Readers seeking theoretical tools for discussing clothing, identity and consumption
  • Those interested in fashion’s links to production, globalization and colonialism

Themes

Fashion theoryClothing and identityProduction and consumptionGlobalization and colonialismThe body and communication

Based on publisher information and book metadata.

Book overview

Fashion is both big business and big news. From models' eating disorders and sweated labour to the glamour of a new season's trends, statements and arguments about fashion and the fashion industry can be found in every newspaper, consumer website and fashion blog. Books which define, analyse and explain the nature, production and consumption of fashion in terms of one theory or another abound. But what are the theories that run through all of these analyses, and how can they help us to understand fashion and clothing?

Fashion Theory: an introduction explains some of the most influential and important theories on fashion: it brings to light the presuppositions involved in the things we think and say about fashion every day and shows how they depend on those theories. This clear, accessible introduction contextualises and critiques the ways in which a wide range of disciplines have used different theoretical approaches to explain - and sometimes to explain away - the astonishing variety, complexity and beauty of fashion. Through engaging examples and case studies, this book explores:

     

  • fashion and clothing in history
  • fashion and clothing as communication
  • fashion as identity
  • fashion, clothing and the body
  • production and consumption
  • fashion, globalization and colonialism
  • fashion, fetish and the erotic.

This book will be an invaluable resource for students of cultural studies, sociology, gender studies, fashion design, textiles or the advertising, marketing and manufacturing of clothes.

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