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Early Music in the 21st Century

by Mimi Mitchell

Reimagining early music for contemporary practice

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AlbakiReads Editorial

Reimagining early music for contemporary practice

Edited by Mimi Mitchell, this essay collection examines how early music can engage with present-day artistic, educational, social, and technological questions while remaining in conversation with historical repertoire and performance. Sixteen contributions by performers, scholars, and pedagogues are organized around methodological approaches, historical instruments, pedagogy, technology, and the reconsideration of history. The volume brings together established and newer international voices, including material translated into English for the first time. An accompanying website expands the book’s discussion with audio and video resources, making its inquiry extend beyond the printed essays.

Good fit for readers who enjoy

  • Early-music performers considering historically informed practice in contemporary contexts
  • Teachers, students, and researchers in early music and music history
  • Instrument makers and listeners interested in debates shaping the early-music movement

Themes

Historically informed performanceEarly-music pedagogyMusic technologyResearch methodsRevisiting musical history

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Book overview

How can the early music movement move into the future? Could this be a transformative moment for change and growth? In this collection of essays, a diverse group of young and established voices from across the globe offers exciting, positive, and challenging thoughts about how we can reimagine the early music movement in this new century.

Nicholas Kenyon's preface is followed by sixteen chapters written by performers, scholars, and pedagogues. They introduce new ways to conduct research, discuss various performative issues, offer numerous educational directions and exciting technological tools, and-perhaps most importantly-suggest ways we can engage with the present as well as with the past. These chapters include material that has been translated into English for the first time and are presented under Methodological Viewpoints, (Non) Historical Instruments, Pedagogical Perspectives, Transformative Technologies, and Revisiting History. An accompanying website provides additional audio and video material.

This post-revival period for the early music movement is crucial for its enduring success. How can a revival movement that looks to the past for inspiration engage with today's social and technological concerns? Early Music in the 21st Century asks important questions for everyone interested in early music--performers, teachers, academics, instrument makers, historians, and music lovers. By encouraging a return to the revolutionary spirit of the pioneering generations, this book offers a plethora of positive possibilities for the future of early music.
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