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Domoruchorit: Stunning Tales from Bengali Adda

by Troilokyonath Mukhopadhyay

Seven fantastical windows onto nineteenth-century Bengal

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AlbakiReads Editorial

Seven fantastical windows onto nineteenth-century Bengal

Posthumously published in 1923, Domoruchorit gathers seven tales by Troilokyonath Mukhopadhyay, a nineteenth-century Bengali fiction writer associated here with fantasy and satire. The collection uses the convivial world of Bengali adda as a frame for stories shaped by wit, invented incident, and social observation. Across its vignettes of nineteenth-century Bengal, the book engages with the Swadeshi movement, caste, child marriage, widowhood, feudal power, and colonial oppression. Fact and fiction are deliberately interwoven, while the tales also preserve a picture of community life and male social bonds connected to the adda tradition.

Good fit for readers who enjoy

  • Readers interested in classic Bengali literature and nineteenth-century Bengal
  • Readers seeking short fiction that combines fantasy, satire, and social themes
  • Those curious about adda as a Bengali cultural tradition

Themes

Bengali addaFantasy and satireColonial oppressionCaste and social inequalityCommunity life

Based on publisher information and book metadata.

Book overview

Troilokyonath Mukhopadhyay (1847-1919) is one of the foremost writers of fiction of nineteenth-century Bengal. He is a master of the genre of fantasy writing.Domoruchorit, posthumously published in 1923, is a book which contains seven tales that are suffused with hilarious narration, sparkling wit, and cutting-edge satire. The tales capture the adda spirit of nineteenth-century Bengal and caters a disinct old world charm. Each of the stories comes up with a vignette of nineteenth-century Bengal with its politics of swadeshi movement and the social reality comprising casteism, child marriage, premature widowhood, feudal tyranny, and colonial oppression. And in each of these stories Troilokyonath Mukhopadhyay blends facts and fiction so magically that some critics have preferred to call him the first magic realist author of Bengal, even if he wrote at a time when magic realism was not even remotely known anywhere in the world. The stories purvey the flavour of a long-lost community life and homosocial male bonding which was once a distinctive part of Bengali culture.
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