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Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music

Atkinson, Charles M.

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Paperback

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The Critical Nexus confronts an important and vexing enigma of early writings on music: why chant, which was understood to be divinely inspired, needed to be altered in order to work within the then-operative modal system. To unravel this mystery, Charles Atkinson creates a broad framework that moves from Greek harmonic theory to the various stages in the transmission of Roman chant, citing numerous music treatises from the sixth to the twelfth century. Out of this examination emerges the central point behind the problem: the tone-system advocated by writers coming from the Greek harmonic tradition was not suited to the notation of chant and that this basic incompatibility led to the creation of new theoretical constructs. By tracing the path of subsequent adaptation at the nexus of tone-system, mode, and notation, Atkinson promises new and far-reaching insights into what mode meant to the medieval musician and how the system responded to its inherent limitations.

Accessories:

No Accessory

Publisher

OXFORD UNIV PR

Bisac Major Subject

Music

Bisac Minor Subject

Instruction & Study - Theory

Binding Type

Paperback

Country Of Origin

Number Of Units

Length

9.1 Inches

Barcode Indicator

EAN

Width

6.1 Inches

Publication Date

1970-01-01

Height

0.8 Inches

ISBN 10

0190273992

Weight

1.05 Pounds

Book EAN

9780190273996

Target Audiance

Adults

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Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music