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Contemporary Fiction and the Fairy Tale

by Benson Stephen

Fairy-tale structures in contemporary fiction

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Paperback New English

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AlbakiReads Editorial

Fairy-tale structures in contemporary fiction

Edited by Stephen Benson, this collection examines how fairy tales inform contemporary fiction—as source material, structural models, and a point of comparison. Seven scholars discuss work by Robert Coover, A. S. Byatt, Margaret Atwood, Angela Carter, and Salman Rushdie, then place these writers in a wider critical conversation. The book also surveys approaches from literary and fairy-tale studies, relating them to Jeanette Winterson and Nalo Hopkinson and identifying further directions for research. Its scope connects close attention to individual authors with an overview of the scholarship surrounding fiction shaped by fairy tales.

Good fit for readers who enjoy

  • Students and teachers of contemporary fiction, folklore, or fairy-tale studies.
  • Readers interested in literary criticism on the relationship between fairy tales and modern novels.
  • Researchers exploring the named authors or critical approaches to fairy-tale-influenced fiction.

Themes

Fairy tales as influences and models for contemporary fictionLiterary criticism and fairy-tale studiesContemporary authors and intertextual traditions

Based on publisher information and book metadata.

Book overview

Recent decades have witnessed a renaissance of interest in the fairy tale, not least among writers of fiction. In Contemporary Fiction and the Fairy Tale, editor Stephen Benson argues that fairy tales are one of the key influences on fiction of the past thirty years and also continue to shape literary trends in the present. Contributors detail the use of fairy tales both as inspiration and blueprint and explore the results of juxtaposing fairy tales and contemporary fiction.

At the heart of this collection, seven leading scholars focus on authors whose work is heavily informed and transformed by fairy tales: Robert Coover, A. S. Byatt, Margaret Atwood, Angela Carter, and Salman Rushdie. In addition to investigating the work of this so-called fairy-tale generation, Contemporary Fiction and the Fairy Tale provides a survey of the body of theoretical writing surrounding these authors, both from within literary studies and from fairy-tale studies itself. Contributors present an overview of critical positions, considered here in relation to the work of Jeanette Winterson and of Nalo Hopkinson, suggesting further avenues for research.

Contemporary Fiction and the Fairy Tale offers the first detailed and comprehensive account of the key authors working in this emerging genre. Students and teachers of fiction, folklore, and fairy-tale studies will appreciate this insightful volume.

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