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Breakwater Rock

by Bruce Lawder

Poems between two homes

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Paperback New English

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AlbakiReads Editorial

Poems between two homes

In *Breakwater Rock*, Bruce Lawder brings the United States and Europe into a poetic project shaped by distance, memory, and return. The publisher’s account traces the work’s beginnings to a poem written during recovery from knee surgery, which led Lawder back in memory to the town where he came of age during the Vietnam War. The Sound’s edge—once a place for solitary nighttime walks—anchors that recollection. Language also enters the book’s frame: the description connects a boyhood awareness of words’ histories with the poem’s opening image of exile. The collection’s stated geography gives personal homecoming a transatlantic scope.

Good fit for readers who enjoy

  • Readers interested in poetry shaped by migration, exile, and belonging.
  • Readers drawn to recollections of coming of age in the Vietnam War era.
  • Readers interested in place-based poetry and the relationship between language and memory.

Themes

Homecoming and exileMemory and placeComing of age during the Vietnam War eraLanguage and history

Based on publisher information and book metadata.

Book overview

For years I had wanted to write a book of poems that would bring together, geographically, the two halves of my life, first in the United States, where I grew up, and then in Europe, where I now live. I was not sure how I would find the diversity of voices for such a project, but then one day something totally unexpected occurred. As I was being wheeled into the operating room of a Swiss hospital, a few words suddenly went through my head:

 

Exile,

your former island,

lets you go.

 

I have always been curious what I would think before losing consciousness, and when I came to, this time, after my knee operation, the strange words were still there, still in the form of a stanza, and soon other words began to appear as well. I realized at once what was happening, and asked my wife for a piece of paper and something firm to write against. And so began "The Turning of the Tide", a poem I wrote "upside down" on my back from my bed in the hospital.

 

The poem turned out to be an announcement, to myself, of a homecoming, both in space and in time, to the town where I had come of age during what is still called the Vietnam War, though it was not ever officially a war. I had scheduled the operation early enough so that I would be able to walk once more along the edge of the Sound where, as a young man, I had wandered alone and often at night trying to come to terms with the world before me. As a boy I had learned that a word, like a country, has a history of its own, and I had mistakenly derived "exile" from the French of "ex" and "

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