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Beat Punks PB

by Victor Bockris

A firsthand record of the Beat–punk exchange

Regular price $19.84 USD
Regular price $31.00 USD Sale price $19.84 USD
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Paperback New English

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AlbakiReads Editorial

A firsthand record of the Beat–punk exchange

Victor Bockris assembles interviews, essays, observations, and photographs centered on downtown Manhattan’s artistic and musical circles of the 1970s and 1980s. The collection brings Beat and punk figures into the same frame, including Allen Ginsberg, William Burroughs, Patti Smith, Richard Hell, Debbie Harry, Andy Warhol, and Robert Mapplethorpe. Across these encounters, Bockris develops the book’s central argument: punk drew substantially from Beat culture, while the punk scene also renewed Beat ideas and energies. The emphasis is on a connected cultural milieu rather than a single biography, documenting the overlap among musicians, writers, artists, and intellectuals.

Good fit for readers who enjoy

  • Readers interested in punk’s connections to Beat literature
  • Fans of downtown Manhattan’s 1970s and 1980s cultural scene
  • Readers seeking interview- and essay-based music and pop-culture writing

Themes

Beat culturePunk historyDowntown ManhattanArtistic communitiesMusic and literature

Based on publisher information and book metadata.

Book overview

Here, accompanied by dozens of unique photographs, are the very best of Victor Bockris's infamous interviews, essays, and observations on the stars of downtown Manhattan in the 1970s and 1980s. The internationally acclaimed biographer Bockris was there as a witness, friend, collaborator, and co-conspirator. Some of the stars were founding members of Beat or Punk, others were just passing through. But all of them-rockers, rebels, artists, and intellectuals-revealed more to Bockris than they did to any other writer: Allen Ginsberg, Richard Hell, Andy Warhol, Robert Mapplethorpe, Debbie Harry, William Burroughs, Patti Smith, Marianne Faithfull, Keith Richards, Terry Southern, Martin Amis, and Susan Sontag. Bockris's conclusion-that Punk owed the Beats a big debt and that the Beats were in turn re-animated by the Punks-is argued from the perspective of someone who was in the thick of it, and who loved every minute of it.
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