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All That Jazz: The Life and Times of the Musical Chicago

by Ethan Mordden

A cultural history of Chicago across stage and screen

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Hardcover New English

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AlbakiReads Editorial

A cultural history of Chicago across stage and screen

Ethan Mordden maps Chicago’s evolution from its 1926 play origins through silent and sound-film versions, the 1975 Broadway musical, its 1996 revival, and the later film adaptation. The book places that history alongside the city’s newspaper culture, 1920s criminal mythology, and the creative partnership associated with Bob Fosse and Gwen Verdon. Chicago’s story of murder, publicity, and courtroom manipulation becomes a lens for examining the tensions beneath American entertainment and public life. Backstage material and attention to the musical’s changing reception keep the focus on how one property was reshaped across decades and media.

Good fit for readers who enjoy

  • Broadway and American musical-theatre history readers
  • Fans interested in Chicago’s stage-to-screen evolution
  • Readers of cultural history connecting theatre, media, and 1920s mythology

Themes

Broadway musicalsAdaptation across mediaChicago and the 1920sCelebrity and publicityAmerican cultural history

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Book overview

In 1975, the Broadway musical Chicago brought together a host of memes and myths - the gleefully subversive character of American musical comedy, the reckless glamour of the big-city newspaper, the mad decade of the 1920s, the work of Bob Fosse and Gwen Verdon (two of the greatest talents in the musical's history), and the Wild West gangsterville that was the city of Chicago itself.

The tale of a young woman who murders her departing lover and then tricks the jury into letting her off, Chicago seemed too blunt and cynical at first. Everyone agreed it was show biz at its brilliant best, yet the public still preferred A Chorus Line, with its cast of innocents and sentimental feeling. Nevertheless, the 1996 Chicago revival is now the longest-running American musical in history, and the movie version won the Best Picture Oscar.

As author Ethan Mordden looks back at Chicago's various moving parts - including the original 1926 play that started it all, a sexy silent film directed by Cecil B. DeMille, a talkie remake with Ginger Rogers, the musical itself, and at last the movie of the musical - we see how the American theatre serves as a kind of alternative news medium, a town crier warning the public about the racy, devious interior contradictions of American society. Opinionated, witty, and rich in backstage anecdotes, All That Jazz brings the American Musical to life in all its artistry and excitement.
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