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African American Literature and the Classicist Tradition: Black Women Writers from Wheatley to Morrison

by T. Walters

Classical Myth Through a Black Feminist Literary Lens

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Hardcover New English

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AlbakiReads Editorial

Classical Myth Through a Black Feminist Literary Lens

T. Walters examines how African American women writers engage with Western classical mythology across the eighteenth through twentieth centuries. Centering Phillis Wheatley, Pauline Hopkins, Gwendolyn Brooks, Toni Morrison, and Rita Dove, the study compares their revisions of particular myths and traces how those revisions address artistic and political agency. Motherhood provides a key thread: classical maternal figures are placed in conversation with the experiences and representations of Black women. The book also considers myth as a space for challenging cultural narratives that demean Black womanhood and for articulating subjects that dominant discourse has left unspoken. A focused work of literary criticism, it brings classical reception studies into dialogue with Black feminist interpretation.

Good fit for readers who enjoy

  • Students and scholars of African American literature
  • Readers interested in Black feminist literary criticism
  • Those studying classical mythology and its later adaptations

Themes

Classical mythologyAfrican American women's writingBlack feminist criticismMotherhoodArtistic and political agency

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Book overview

This is a groundbreaking study exploring the significant relationship between western classical mythology and African American women's literature. A comparative analysis of classical revisions by eighteenth and nineteenth century Black women writers Phillis Wheatley and Pauline Hopkins and twentieth century writers Gwendolyn Brooks, Toni Morrison, and Rita Dove reveals that Black women writers revise specific classical myths for artistic and political agency. The study demonstrates that women rework myth to represent mythical stories from the Black female perspective and to counteract denigrating contemporary cultural and social myths that disempower and devalue Black womanhood. Through their adaptations of classical myths about motherhood, Wheatley, Ray, Brooks, Morrison, and Dove uncover the shared experiences of mythic mothers and their contemporary African American counterparts thus offering a unique Black feminist perspective to classicism. The women also use myth as a liberatingspace where they can 'speak the unspeakable' and empower their subjects as well as themselves.
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