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A Theory of Harmony: With A New Introduction by Paul Wilkinson

by Ernst Levy

Rethinking musical harmony

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Paperback New English

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AlbakiReads Editorial

Rethinking musical harmony

Ernst Levy’s posthumously published theory presents “negative harmony” as a way to reconsider harmonic language in modern music. The book addresses approaches across diverse musical styles, while Paul Wilkinson’s new introduction supplies several entry points and connects Levy’s ideas with improvisation, jazz, twentieth-century classical music, and other theoretical writing. At 132 pages, the volume brings together Levy’s account and contextual framing for readers exploring how music theory can describe different kinds of harmonic practice.

Good fit for readers who enjoy

  • Students of music theory seeking an account of negative harmony.
  • Performers, composers, and theorists interested in connections among jazz, improvisation, and twentieth-century classical music.
  • Readers exploring Ernst Levy’s approach to harmony and its place in modern musical thought.

Themes

Negative harmonyModern harmonic languageMusic theory across stylesImprovisation and jazzTwentieth-century classical music

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Book overview

The classic work on Levy's theory of negative harmony.

Ernst Levy was a visionary Swiss pianist, composer, and teacher who developed an approach to music theory that has come to be known as "negative harmony." Levy's theories have had a wide influence, from young British performer/composer Jacob Collier to jazz musicians like Steve Coleman. His posthumous text, A Theory of Harmony, summarizes his innovative ideas. A Theory of Harmony is a highly original explanation of the harmonic language of the modern era, illuminating the approaches of diverse styles of music. By breaking through age-old conceptions, Levy was able to reorient the way we experience musical harmony.

British composer/music pedagogue Paul Wilkinson has written a new introduction that offers multiple points of entry to Levy's work to make this text more accessible for a new generation of students, performers, and theorists. He relates Levy's work to innovations in improvisation, jazz, twentieth-century classical music, and the theoretical writings of a wide range of musical mavericks, including Harry Partch, Hugo Riemann, and David Lewin. Wilkinson shows how A Theory of Harmony continues to inspire original musical expression across multiple musical genres.

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