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33 Revolutions Per Minute: A History of Protest Songs, from Billie Holiday to Green Day

by Dorian Lynskey

A song-by-song history of music as public dissent

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Paperback New English

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AlbakiReads Editorial

A song-by-song history of music as public dissent

Organized around 33 songs, Dorian Lynskey’s history traces how protest music has engaged with public conflict across the twentieth century and beyond. The book moves from Billie Holiday’s “Strange Fruit” through Bob Dylan and Vietnam-era protest to the controversy surrounding the Dixie Chicks during the Iraq War, placing individual recordings alongside the political moments that gave them force. By connecting artists including Stevie Wonder, Public Enemy, and the Clash, it treats protest song not as a separate musical category but as a recurring current within popular music. The scope emphasizes how songs can enter news cycles, political debate, and wider cultural conversations.

Good fit for readers who enjoy

  • Music-history readers interested in the relationship between songs and politics
  • Listeners curious about Billie Holiday, Bob Dylan, Stevie Wonder, Public Enemy, the Clash, and the Dixie Chicks
  • Readers seeking a structured, song-centered account of protest music

Themes

Protest musicPopular music and politicsCultural dissentTwentieth-century historySongs in public life

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Book overview

From one of the most prominent music critics writing today, a page-turning and wonderfully researched history of protest music in the twentieth century and beyond

Nowhere does pop music collide more dramatically with the wider world than in the protest song, which forces its way into the news and prompts conversations from Washington to Westminster. Rather than being merely a worthy adjunct to the business of pop, protest music is woven into its DNA. When you listen to Bob Dylan, Stevie Wonder, Public Enemy, or the Clash, you are not sitting down to a dusty seminar; you are hearing pop music at its most thrillingly alive.

33 Revolutions Per Minute is the story of protest music told in 33 songs. An incisive history of a wide and shape-shifting genre, Dorian Lynskey's authoritative book takes us from the days of Billie Holliday crooning "Strange Fruit" before shocked audiences to Vietnam-era crowds voicing their resentment at the sounds of Bob Dylan to the fracas over the Dixie Chicks' comments against George W. Bush during the Iraq War.

For anyone who enjoyed Alex Ross's The Rest is Noise, Bob Dylan's Chronicles, or Simon Reynolds' Rip It Up and Start Again, 33 Revolutions Per Minute is an absorbing and moving portrait of a century when music was the people's truest voice.
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