{"title":"General","description":"\u003cp\u003eGeneral Performing Arts books encompass works that address the field as a whole, rather than specializing in one specific discipline such as theater, dance, or music. These titles examine wide-ranging themes, foundational concepts, and the overarching cultural roles of the performing arts. Readers searching for context or an introduction to the entire spectrum of performing arts will find comprehensive coverage here.\u003c\/p\u003e\u003cp\u003eTo narrow your focus, consider moving into specialized subjects like acting, choreography, or stagecraft within the Performing Arts category. The general section is most useful for those seeking non-specific resources, broad histories, or comparative studies that tie together diverse elements of live and recorded performances.\u003c\/p\u003e","products":[{"product_id":"capital-acts-washington-dc-performing-arts-9781959621683-new","title":"Capital Acts: Washington DC Performing Arts","description":"\u003cp\u003eA comprehensive entertainment history of the Washington, DC area's captivating theater, film, and music artists. Includes esteemed figures from the masterful John Philip Sousa to the provocative Root Boy Slim. Legends such as Al Jolson, Duke Ellington, Helen Hayes, Patsy Cline, The Slickee Boys, Mark Russell, Pick Temple, The Langley Punks, Eva Cassidy, Billy Eckstine, Danny Gatton, Tommy Lepson and hundreds of others populate this vibrant tapestry of talent and innovation that thrived or continues in the area. 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Elles sont sans doute à l'origine du profond attachement sentimental qu'il lui manifesta toujours: d'un modeste rendez-vous de chasse, Versailles est ainsi devenu le plus somptueux palais de tous les temps, que la musique et les spectacles n'ont cessé d'animer pendant plus d'un siècle, jour après jour.\u003cbr\u003e\u003cbr\u003eCette histoire fertile en événements plus brillants et étonnants les uns que les autres nous est contée pour la première fois sous l'angle des spectacles: des fastes et splendeurs louis-quatorziens aux amusements et aux spectacles sans prétention de Marie-Antoinette en passant par les concerts intimes de Marie Leczinska ou les spectacles donnés par M\u003cbr\u003eme de Pompadour dans les petits appartements.\u003cbr\u003e\u003cbr\u003eOù et comment jouait-on? Qui jouait? Quels étaient les artisans de ces plaisirs? Le lecteur ira de surprise en surprise découvrant la diversité des lieux, appartements, galeries, passages, bosquets, escaliers, cours... où, dans une perpétuelle improvisation, on a donné des milliers de représentations musicales et théâtrales, organisé les concerts de la reine (près de cent par an) et où l'on a pu voir M\u003cbr\u003eme de Pompadour sur scène, Madame Henriette jouant de la viole ou Marie-Antoinette pinçant sa harpe. De Louis XIV jouant les ouvreuses aux représentations d'\u003cbr\u003eEsther à Marie-Antoinette semant le désordre dans la machinerie bien huilée des spectacles de cour, le spectacle de Versailles est un spectacle à soi seul.\u003cbr\u003e\u003cbr\u003eNouvelle clef de lecture de Versailles, ce livre, tout en révélant la force qui a uni en ce lieu l'architecture et le spectacle et en démontant les rouages de la vie musicale et théâtrale, se veut une plongée dans la sensibilité, le goût, la manière d'être, de vivre et de sentir de ceux qui en ont été les acteurs.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAncien conseiller artistique du Centre de musique baroque de Versailles et actuellement directeur du Théâtre baroque de France, Philippe Beaussant a publié des ouvrages sur Couperin, Lully, des essais sur la musique et le théâtre. Il est également l'auteur de romans dont le dernier, Héloïse,\u003cbr\u003ea reçu en 1993 le Grand Prix du roman de l'Académie française.Historienne, Patricia Bouchenot-Déchin a publié une biographie de Melle de Montansier qui créa au XVIIIe siècle le théâtre qui porte encore son nom.\u003cbr\u003e About the Author \u003cbr\u003ePhilippe Beaussant est spécialiste de la musique française baroque et de l'art de la scène des XVIIe et XVIIIe siècles. Il est le fondateur du Centre de musique baroque de Versailles. Il a été couronné, pour l'ensemble de son oeuvre, par le Grand Prix de la Langue Française. Romancier, il a publié chez Gallimard, Le Biographe (1978), L'Archéologue (1979), Héloïse (1993) et, en 2000, Le Roi-Soleil se lève aussi. Il est aussi l'auteur de Claudio Monteverdi (2003), Le Rendez-vous de Venise (2003), La Malscène (2005) et de Passages : De la Renaissance au baroque (2006),Où en étais-je? (2008) et Titien le chant du cygne (2009) chez Fayard.\u003cbr\u003e\u003cbr\u003ePatricia Bouchenot-Déchin a publié biographies, essais et romans. Ses travaux sur André Le Nôtre et sa biographie parue chez Fayard ont reçu de nombreux prix en Europe et aux États-Unis parmi lesquels, en France, le prix Hugues Capet 2013 et en 2014 le prix d'Académie de l'Académie française. 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