{"title":"Classical","description":"\u003cp\u003eClassical music centers on the enduring traditions and innovative compositions that have shaped Western music from ancient roots through modern times. Books in the classical category examine influential composers, the evolution of orchestral and chamber music, instrumental techniques, and the cultural context that fueled masterpieces across centuries. This subject explores the scope of music defined as 'classical,' from Baroque and Romantic periods to contemporary classical innovations.\u003c\/p\u003e\u003cp\u003eUse the classical category to compare works that focus on specific genres such as symphonic, opera, or solo instrumental music, or to investigate different historical periods and stylistic developments. Readers can also navigate to related genres within music to understand how classical forms diverge from or influence neighboring styles.\u003c\/p\u003e","products":[{"product_id":"j-s-bach-his-royal-instrument-essays-his-organ-works-9780190674410-new","title":"J. S. Bach at His Royal Instrument: Essays on His Organ Works","description":"In this wide-ranging set of original essays, musicologist and organist Russell Stinson investigates Johann Sebastian Bach's compositions for the organ, opening up a wealth of perspectives on the stylistic orientation and historical context of these timeless masterpieces. \u003cbr\u003e\u003cbr\u003eWith a sweeping hand, Stinson sheds light on the entire corpus of Bach's organ chorales, and considers the reception of particular pieces not only by various luminaries in the classical music world, but also those within such disparate contexts as film, literature, politics, and rock music. Stinson's investigations include a revealing focus on a previously unpublished fugue by Bach pupil J. G. Sch","brand":"OXFORD UNIV PR","offers":[{"title":"New","offer_id":50167439851810,"sku":"9780190674410-new","price":43.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0893\/4755\/5618\/files\/9780190674410.jpg?v=1753571168"},{"product_id":"classical-form-theory-formal-functions-instrumental-music-haydn-mozart-beethoven-9780195143997-new","title":"Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven","description":"Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of \u003cem\u003eformal function\u003c\/em\u003e, that is, the specific role a given formal unit plays in the structural organization of a classical work.","brand":"OXFORD UNIV PR","offers":[{"title":"New","offer_id":50167439917346,"sku":"9780195143997-new","price":106.29,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0893\/4755\/5618\/files\/9780195143997.jpg?v=1753571169"},{"product_id":"classical-romantic-performing-practice-1750-1900-9780195166651-new","title":"Classical and Romantic Performing Practice 1750-1900","description":"The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.","brand":"OXFORD UNIV PR","offers":[{"title":"New","offer_id":50167439982882,"sku":"9780195166651-new","price":149.31,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0893\/4755\/5618\/files\/9780195166651.jpg?v=1753571169"},{"product_id":"beethoven-9780195313314-new","title":"Beethoven","description":"The connections between a great artist's life and work are subtle, complex, and often highly revealing. In the case of Beethoven, however, the standard approach has been to treat his life and his art separately. Now, Barry Cooper's new volume incorporates the latest international research on many aspects of the composer's life and work and presents these in a truly integrated narrative. \u003cbr\u003e\u003cbr\u003eCooper employs a strictly chronological approach that enables each work to be seen against the musical and biographical background from which it emerged. The result is a much closer confluence of life and work than is usually achieved, for two reasons. First, composition was Beethoven's central preoccupation for most of his life: \"I live entirely in my music,\" he once wrote. Second, recent study of his many musical sketches has enabled a much clearer picture of his everyday compositional activity than was previously possible, leading to rich new insights into the interaction between his life and music. This volume concentrates on Beethoven's artistic achievements both by examining the origins of his works and by expert commentary on some of their most striking and original features. It also reexamines virtually all the evidence--from fictitious anecdotes right down to the translations of individual German words--to avoid recycling old errors. And it offers numerous new details derived from sketch studies and a new edition of Beethoven's correspondence. \u003cbr\u003e\u003cbr\u003eOffering a wealth of fresh conclusions and intertwining life and work in illuminating ways, \u003cem\u003eBeethoven\u003c\/em\u003e will establish itself as \u003cem\u003ethe\u003c\/em\u003e reference on one of the world's greatest composers.","brand":"OXFORD UNIV PR","offers":[{"title":"New","offer_id":50167440179490,"sku":"9780195313314-new","price":48.38,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0893\/4755\/5618\/files\/9780195313314.jpg?v=1753571171"},{"product_id":"inside-mahlers-second-symphony-listeners-guide-9780197575642-new","title":"Inside Mahler's Second Symphony: A Listener's Guide","description":"This guide introduces concertgoers, serious listeners, and music students to Gustav Mahler's Second Symphony, one of the composer's most popular and most powerful works. It examines the symphony from several perspectives: Mahler's struggle to create what he called the New Symphony; his innovative approaches to traditional musical form; how he addressed the daunting challenges of writing music on a monumental scale; and how he dealt with the ineluctable force of Beethoven's symphonic precedent, especially that of the Ninth Symphony. \u003cbr\u003e\u003cbr\u003eThe central focus of \u003cem\u003eInside Mahler's Second Symphony\u003c\/em\u003e is on the music itself: how it works, how it works its magic on the listener, how it translates the earnest existential concerns that motivate the symphony into powerful and highly expressive music. Beyond this, the book ushers the Listener's Guide into the digital age with 185 dedicated audio examples. They are brief, accessible, and arranged to flow from one to another to simulate how the symphony might be presented in a classroom discussion. Each movement is also presented uninterrupted, accompanied by light annotations to remind the reader of what they learned about the movement. Each musical event in the uninterrupted presentation is keyed to its location in the orchestral score to accommodate readers who may wish to refer to one. \u003cbr\u003e\u003cbr\u003eAn innovative combination of in-depth analysis and multimedia exploration, \u003cem\u003eInside Mahler's Second Symphony\u003c\/em\u003e is a remarkable introduction to a masterpiece of the symphonic repertoire.","brand":"OXFORD UNIV PR","offers":[{"title":"New","offer_id":50167440310562,"sku":"9780197575642-new","price":41.78,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0893\/4755\/5618\/files\/9780197575642.jpg?v=1753571173"},{"product_id":"performers-guide-transcribing-editing-arranging-early-music-9780197600665-new","title":"A Performer's Guide to Transcribing, Editing, and Arranging Early Music","description":"\u003cem\u003eA Performer's Guide to Transcribing, Editing, and Arranging Early Music\u003c\/em\u003e provides instruction on three important tasks that early music performers often undertake in order to make their work more noticeable and appealing to their audiences. First, the book provides instruction on using early sources-manuscripts, prints, and treatises-in score, parts, or tablature. It then illuminates priorities behind basic editorial decisions-determining what constitutes a \"version\" of a musical piece, how to choose a version, and how to choose the source for that version. Lastly, the book offers advice about arranging both early and new music for early instruments, including how to consider instruments' ranges and various registers, how to exploit the unique characteristics of period instruments, and how to produce convincing textures of accompaniment. Drawing on methods based on early models (for example, how baroque composers arranged the music of their contemporaries), Alon Schab pays tribute to the ideas and ideals promoted by the pioneers of the early music revival and examines how these could be implemented in an early music field revolutionized by technology and unprecedented artistic independence.","brand":"OXFORD UNIV PR","offers":[{"title":"New","offer_id":50167440376098,"sku":"9780197600665-new","price":43.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0893\/4755\/5618\/files\/9780197600665.jpg?v=1753571224"},{"product_id":"bachs-well-tempered-clavier-9780197666654-new","title":"Bach's Well-Tempered Clavier","description":"Bach's \u003cem\u003eWell-Tempered Clavier\u003c\/em\u003e forms part of the series American Bach Society Guides for the introduction of Johann Sebastian Bach's most important works and collections to a wider audience. Although the topic of this book is some of the most compostionally sophisticated music ever written, it avoids musical notation, explains necessary technical terminology, and assumes only basic knowledge of music history. This book presents the context, history, and music of Bach's \u003cem\u003eWell-Tempered Clavier\u003c\/em\u003e based on the latest musicological research. It appeals to those who desire an introduction to the collectionor a refresher on its salient characteristics. The main topics include: definitions, descriptions, and history of Prelude, Fugue, Temperament, and Tonal Harmony; Bach's motivation for writing the collection and his compositional process; the work's reception history; and the philosophies and issues of performance practice.","brand":"OXFORD UNIV PR","offers":[{"title":"New","offer_id":50167440408866,"sku":"9780197666654-new","price":24.89,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0893\/4755\/5618\/files\/9780197666654.jpg?v=1753571224"},{"product_id":"early-music-21st-century-9780197683071-new","title":"Early Music in the 21st Century","description":"How can the early music movement move into the future? Could this be a transformative moment for change and growth? In this collection of essays, a diverse group of young and established voices from across the globe offers exciting, positive, and challenging thoughts about how we can reimagine the early music movement in this new century. \u003cbr\u003e\u003cbr\u003eNicholas Kenyon's preface is followed by sixteen chapters written by performers, scholars, and pedagogues. They introduce new ways to conduct research, discuss various performative issues, offer numerous educational directions and exciting technological tools, and-perhaps most importantly-suggest ways we can engage with the present as well as with the past. These chapters include material that has been translated into English for the first time and are presented under \u003cem\u003eMethodological Viewpoints, (Non) Historical Instruments, Pedagogical Perspectives, Transformative Technologies, and Revisiting History\u003c\/em\u003e. An accompanying website provides additional audio and video material. \u003cbr\u003e\u003cbr\u003eThis post-revival period for the early music movement is crucial for its enduring success. How can a revival movement that looks to the past for inspiration engage with today's social and technological concerns? \u003cem\u003eEarly Music in the 21st Century\u003c\/em\u003e asks important questions for everyone interested in early music--performers, teachers, academics, instrument makers, historians, and music lovers. By encouraging a return to the revolutionary spirit of the pioneering generations, this book offers a plethora of positive possibilities for the future of early music.\u003cbr\u003e","brand":"OXFORD UNIV PR USA","offers":[{"title":"New","offer_id":50167440441634,"sku":"9780197683071-new","price":34.72,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0893\/4755\/5618\/files\/9780197683071.jpg?v=1753571225"},{"product_id":"hearing-homophony-tonal-expectation-turn-seventeenth-century-9780190851903-new","title":"Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century","description":"The question of tonality's origins in music's pitch content has long vexed many scholars of music theory. However, tonality is not ultimately defined by pitch alone, but rather by pitch's interaction with elements like rhythm, meter, phrase structure, and form. \u003cem\u003eHearing Homophony\u003c\/em\u003e investigates the elusive early history of tonality by examining a constellation of late-Renaissance popular songs which flourished throughout Western Europe at the turn of the seventeenth century. Megan Kaes Long argues that it is in these songs, rather than in more ambitious secular and sacred works, that the foundations of eighteenth century style are found. Arguing that tonality emerges from features of modal counterpoint - in particular, the rhythmic, phrase structural, and formal processes that govern it - and drawing on the arguments of theorists such as Dahlhaus, Powers, and Barnett, she asserts that modality and tonality are different in kind and not mutually exclusive. \u003cbr\u003e\u003cbr\u003eUsing several hundred homophonic partsongs from Italy, Germany, England, and France, Long addresses a historical question of critical importance to music theory, musicology, and music performance. \u003cem\u003eHearing Homophony\u003c\/em\u003e presents not only a new model of tonality's origins, but also a more comprehensive understanding of what tonality is, providing novel insight into the challenging world of seventeenth-century music.","brand":"OXFORD UNIV PR","offers":[{"title":"New","offer_id":50167440474402,"sku":"9780190851903-new","price":132.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0893\/4755\/5618\/files\/9780190851903.jpg?v=1753571225"},{"product_id":"orchestrating-nation-nineteenth-century-american-symphonic-enterprise-9780190914479-new","title":"Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise","description":"During the nineteenth century, nearly one hundred symphonies were written by over fifty composers living in the United States. With few exceptions, this repertoire is virtually forgotten today. In \u003cem\u003eOrchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise\u003c\/em\u003e, author Douglas W. Shadle explores the stunning stylistic diversity of this substantial repertoire and uncovers why it failed to enter the musical mainstream. \u003cbr\u003e\u003cbr\u003eThroughout the century, Americans longed for a distinct national musical identity. As the most prestigious of all instrumental genres, the symphony proved to be a potent vehicle in this project as composers found inspiration for their works in a dazzling array of subjects, including Niagara Falls, Hiawatha, and Western pioneers. With a wealth of musical sources at his disposal, including never-before-examined manuscripts, Shadle reveals how each component of the symphonic enterprise-from its composition, to its performance, to its immediate and continued reception by listeners and critics-contributed to competing visions of American identity. \u003cbr\u003e\u003cbr\u003eEmploying an innovative transnational historical framework, Shadle's narrative covers three continents and shows how the music of major European figures such as Beethoven, Schumann, Wagner, Liszt, Brahms, and Dvor","brand":"OXFORD UNIV PR","offers":[{"title":"New","offer_id":50167440703778,"sku":"9780190914479-new","price":52.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0893\/4755\/5618\/files\/9780190914479.jpg?v=1753571228"},{"product_id":"beethoven-variations-life-9780190054083-new","title":"Beethoven: Variations on a Life","description":"Despite the ups and downs of his personal life and professional career-even in the face of deafness-Beethoven remained remarkably consistent in his most basic convictions about his art. This inner consistency, the music historian Mark Evan Bonds argues, provides the key to understanding the composer's life and works. Beethoven approached music as he approached life, weighing whatever occupied him from a variety of perspectives: a melodic idea, a musical genre, a word or phrase, a friend, a lover, a patron, money, politics, religion. His ability to unlock so many possibilities from each helps explain the emotional breadth and richness of his output as a whole, from the heaven-storming Ninth Symphony to the eccentric Eighth, and from the arcane Great Fugue to the crowd-pleasing Wellington's Victory. Beethoven's works, Bonds argues, are a series of variations on his life. The iconic scowl so familiar from later images of the composer is but one of many attitudes he could assume and project through his music. The supposedly characteristic furrowed brow and frown, moreover, came only after his time. Discarding tired myths about the composer, Bonds proposes a new way of listening to Beethoven by hearing his music as an expression of his entire self, not just his scowling self.","brand":"OXFORD UNIV PR","offers":[{"title":"New","offer_id":50167440736546,"sku":"9780190054083-new","price":18.31,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0893\/4755\/5618\/files\/9780190054083.jpg?v=1753571228"},{"product_id":"beethovens-string-quartet-c-sharp-minor-op-131-9780190059217-new","title":"Beethoven's String Quartet in C-Sharp Minor, Op. 131","description":"Beethoven's String Quartet in C-sharp minor Op. 131 (1826) is not only firmly a part of the scholarly canon, the performing canon, and the pedagogical canon, but also makes its presence felt in popular culture. Yet in recent times, the terms in which the C-sharp minor quartet is discussed and presented tend to undermine the multivalent nature of the work. Although it is held up as a masterpiece, Op. 131 has often been understood in monochrome terms as a work portraying tragedy, struggle, and loss. \u003cbr\u003e\u003cbr\u003eIn \u003cem\u003eBeethoven's String Quartet in C-sharp Minor, Op. 13\u003c\/em\u003e, author Nancy November takes the modern-day listener well beyond these categories of adversity or deficit. The book goes back to early reception documents, including Beethoven's own writings about the work, to help the listener reinterpret and re-hear it. This book reveals the diverse musical ideas present in Op. 131 and places the work in the context of an emerging ideology of silent or 'serious' listening in Beethoven's Europe. It considers how this particular 'late' quartet could speak with special eloquence to a highly select but passionately enthusiastic audience and examines how and why the reception of Op. 131 has changed so profoundly from Beethoven's time to our own.","brand":"OXFORD UNIV PR","offers":[{"title":"New","offer_id":50167440834850,"sku":"9780190059217-new","price":28.82,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0893\/4755\/5618\/files\/9780190059217.jpg?v=1753571229"},{"product_id":"journeys-through-galant-expositions-9780190083991-new","title":"Journeys Through Galant Expositions","description":"Ever since the nineteenth century, descriptions of musical form have tended to rely heavily on architectonic analogies. In contrast, earlier discussions more often invoked the metaphor of a journey to describe the structure of a composition. In \u003cem\u003eJourneys Through Galant Expositions\u003c\/em\u003e, author L. Poundie Burstein encourages readers to view the form of Galant music through this earlier metaphorical lens, much as those who composed, performed, improvised, and listened to music in the mid-1700s would have experienced it. \u003cbr\u003e\u003cbr\u003eBy elucidating eighteenth-century ideas regarding musical form and applying them to works by a wide range of composers -- including Haydn and Mozart, as well as a host of others who are often overlooked -- this innovative study provides an accessible new window into the music of this time. Rather than dissecting concepts from the 1700s as a mere historical exercise or treating them as a precursor of later theories, Burstein invigorates the ideas of theorists such as Heinrich Christoph Koch and shows how they can directly impact our understanding and appreciation of Galant music as audiences and performers.","brand":"OXFORD UNIV PR","offers":[{"title":"New","offer_id":50167440933154,"sku":"9780190083991-new","price":69.22,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0893\/4755\/5618\/files\/9780190083991.jpg?v=1753571231"},{"product_id":"who-knew-answers-questions-about-classical-music-you-never-thought-ask-9780190462543-new","title":"Who Knew?: Answers to Questions about Classical Music You Never Thought to Ask","description":"Did you ever leave an opera performance wondering why the singers use so much vibrato? Or a symphony, wondering who decided where on stage the orchestra members should sit, or why they tune their instruments to an oboe rather than an electronic tuner? Why is Tchaikovsky's 1812 Overture played on the 4th of July? And how does a composer choose what key to compose in? \u003cbr\u003e\u003cbr\u003eIn \u003cem\u003eWho Knew?: Answers to Questions about Classical Music You Never Thought to Ask, \u003c\/em\u003e master music educator Robert A. Cutietta provides lucid answers to these and more than 140 other questions submitted by listeners to his popular weekly radio program. Through its pages, this highly readable guide touches on some of the most curiosity-inducing aspects of the tradition, from why audiences refrain from applauding between movements to how opera singers warm up on the night of a big debut. The responses are drawn from conversations with professional musicians and music educators, with additional contributions by Gail Eichenthal of KUSC, giving a rare glimpse into how musicians think and talk about their work. Lovers of classical music who would like to flesh out their understanding are sure to find a powerful resource in Cutietta's down-to-earth guide, and even seasoned listeners are sure to learn a thing or two. This book will provide hours of enjoyment as readers invariably shake their heads and ask in wonderment, \"Who knew!\"","brand":"OXFORD UNIV PR","offers":[{"title":"New","offer_id":50167441064226,"sku":"9780190462543-new","price":18.94,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0893\/4755\/5618\/files\/9780190462543.jpg?v=1753571232"},{"product_id":"year-wonder-classical-music-enjoy-day-day-9780062856203-new","title":"Year of Wonder: Classical Music to Enjoy Day by Day","description":"\u003cp\u003e\u003cb\u003e\"\u003ci\u003eYear of Wonder\u003c\/i\u003e is an absolute treat--the most enlightening way to be guided through the year.\" -- Eddie Redmayne\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eA unique celebration of classical music that showcases one inspirational piece each day of the year, written by an award-winning violinist and BBC Radio personality\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eClassical music has a reputation for being stuffy, boring, and largely inaccessible, but Burton-Hill is here to change that. An award-winning writer, broadcaster and musician, with a deep love for the art form, she wants everyone to feel welcome at the classical party, and her desire to share her passion inspired this unique, enlightening, and expertly curated treasury of music appreciation. As she says, \"The only requirements for enjoying classical music are open ears and an open mind.\"\u003c\/p\u003e\u003cp\u003e\u003ci\u003eYear of Wonder\u003c\/i\u003e introduces readers to one piece of music each day of the year, artfully selected from across genres, time periods, and composers for daily listening. Burton-Hill offers short introductions to contextualize each piece, and makes the music come alive in modern and playful ways. From Bach, Beethoven, Mozart, and Puccini to George Gershwin, Clara Schumann, Philip Glass, Duke Ellington, and many remarkable yet often-overlooked voices, Burton-Hill takes us on a dazzling journey through our most treasured musical landscape.\u003c\/p\u003e\u003cp\u003eThoughtfully curated and masterfully researched, \u003ci\u003eYear of Wonder\u003c\/i\u003e is a book of classical music for everyone. Whether you're a newcomer or an aficionado, this celebration for classical music for beginners will inspire, nourish, and enrich your life in unexpected ways.\u003c\/p\u003e\u003cp\u003eEach daily entry is an invitation to press play and discover something new--a perfect way to build a lifelong connection to the art form.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eA Piece for Every Day: \u003c\/b\u003e A treasury of 366 pieces of music, offering a year-long journey of daily listening with short, accessible introductions to put each work in context.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMusic History Demystified: \u003c\/b\u003e Travel from the Baroque and Classical eras to the Modernists and beyond, meeting composers from Bach and Mozart to remarkable, often-overlooked voices.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eInspirational and Accessible: \u003c\/b\u003e Whether you are a newcomer or a seasoned aficionado, this guide proves that the only requirements for enjoying classical music are open ears and an open mind.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eLearn from a Musician: \u003c\/b\u003e Written by an award-winning violinist and broadcaster who shares her deep love of the art form and makes it come alive in modern and playful ways.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"HARPERCOLLINS","offers":[{"title":"New","offer_id":50167441129762,"sku":"9780062856203-new","price":25.13,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0893\/4755\/5618\/files\/9780062856203.jpg?v=1753571233"},{"product_id":"concerto-listeners-guide-9780195103304-new","title":"The Concerto: A Listener's Guide","description":"Michael Steinberg's 1996 volume \u003cem\u003eThe Symphony: A Reader's Guide\u003c\/em\u003e received glowing reviews across America. It was hailed as \"wonderfully clear...recommended warmly to music lovers on all levels\" (\u003cem\u003eWashington Post\u003c\/em\u003e), \"informed and thoughtful\" (\u003cem\u003eChicago Tribune\u003c\/em\u003e), and \"composed by a master stylist\" (\u003cem\u003eSan Francisco Chronicle\u003c\/em\u003e). Seiji Ozawa wrote that \"his beautiful and effortless prose speaks from the heart.\" Michael Tilson Thomas called \u003cem\u003eThe Symphony\u003c\/em\u003e \"an essential book for any concertgoer.\" \u003cbr\u003e Now comes the companion volume--\u003cem\u003eThe Concerto: A Listener's Guide\u003c\/em\u003e. In this marvelous book, Steinberg discusses over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994. Readers will find here the heart of the standard repertory, among them Bach's Brandenburg Concertos, eighteen of Mozart's piano concertos, all the concertos of Beethoven and Brahms, and major works by Mendelssohn, Schumann, Liszt, Bruch, Dvora'k, Tchaikovsky, Grieg, Elgar, Sibelius, Strauss, and Rachmaninoff. The book also provides luminous introductions to the achievement of twentieth-century masters such as Arnold Schoenberg, Be'la Barto'k, Igor Stravinsky, Alban Berg, Paul Hindemith, Sergei Prokofiev, Aaron Copland, and Elliott Carter. Steinberg examines the work of these musical giants with unflagging enthusiasm and bright style. He is a master of capturing the expressive, dramatic, and emotional values of the music and of conveying the historical and personal context in which these wondrous works were composed. His writing blends impeccable scholarship, deeply felt love of music, and entertaining whimsy. \u003cbr\u003e Here then is a superb journey through one of music's richest and most diverse forms, with Michael Steinberg along as host, guide, and the best of companions.","brand":"OXFORD UNIV PR","offers":[{"title":"New","offer_id":50167441391906,"sku":"9780195103304-new","price":109.82,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0893\/4755\/5618\/files\/9780195103304.jpg?v=1753571239"},{"product_id":"symphony-listeners-guide-9780195126655-new","title":"The Symphony: A Listener's Guide","description":"Enriched by biographical detail, historical background, musical examples, and many finely nuanced observations, this volume is a treasury of insight and information. Readers will find illuminating discussion of the complete symphonies of Beethoven, Schumann, Brahms, Sibelius, and Mahler, as well as of the most loved symphonic works of Schubert, Bruckner, Dvorak, Tchaikovsky, Prokofiev, and others. We learn how to listen more sharply for Haydn's humor, to Mozart's singular combination of pathos with grace, and to the evolution of Beethoven's musical ideas in his nine symphonies. 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