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Anne, who lived at home, preserved 22 from her father and several important ones from her mother; when both her parents were away. The letters include fascinating drafts of poems, statements of belief, candid descriptions of people and events, and in some cases offer biographical and historical corrections to the popular narrative of Yeats's life. Like Oscar Wilde, Yeats frequently practiced a phrase or an anecdote to provide the best effect in his correspondence. And not for nothing would he write to his wife, 'you are much the best letter writer I know, or have known'. 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Her journals and letters are an important source of information about English social life from 1768 to 1838. In the years 1786-91, she served Queen Charlotte as Keeper of the Robes, acquiring a detailed knowledge of the events and people in the court of King George III. This volume is the record of one of those years, 1789, a year in which the King recovered from his madness, the Court took a leisurely tour through the southwest counties of England, and Burney was disappointed in love by the romantic (if sometimes melancholy) Vice-Chamberlain of the Queen, Colonel Stephen Digby. To her sister Susannah Phillips, Burney confided her most secret hopes and reservations, subjecting herself to a rigorous examination as she sought to balance prudence with feeling. Fatigued by her service to the Queen and distressed by the inscrutable moodiness of Colonel Digby, Burney lived through and recorded the details of one of the most memorable years of the national life of Great Britain. \u003cbr\u003e\u003cbr\u003eThis volume is the fifth of six volumes that will present in their entirety Frances Burney's journals and letters from July 1786, when she assumed the position of Keeper of the Robes to Queen Charlotte, to her resignation in July 1791. Burney's later journals have been edited as \u003cem\u003eThe Journals and Letters of Fanny Burney (Madame d'Arblay), 1791-1840\u003c\/em\u003e (12 vols., 1972-84). Her earlier journals have been edited as \u003cem\u003eThe Early Journals and Letters of Fanny Burney\u003c\/em\u003e (4 vols. to date, 1988- ). \u003cem\u003eThe Court Journals and Letters of Frances Burney \u003c\/em\u003econtinues the modern editing of Burney's surviving journals and letters, from 1768 until her death in 1840. \u003cbr\u003e\u003cbr\u003eThis volume includes all of her journals, diaries, and letters from the momentous year 1789, the year in which the King recovered from his madness, the Court toured the southwestern counties of England, and Burney endured a frustrating romance with the Queen's Vice-Chamberlain. The text is a full and accurate edition of Burney's manuscripts held at the New York Public Library and the British Library.","brand":"OXFORD UNIV PR","offers":[{"title":"New","offer_id":50167241769250,"sku":"9780199262076-new","price":297.39,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0893\/4755\/5618\/files\/9780199262076.jpg?v=1753563304"},{"product_id":"allegory-enchantment-9780198788041-new","title":"Allegory and Enchantment: An Early Modern Poetics","description":"What is modernity? Where are modernity's points of origin? Where are its boundaries? And what lies beyond those boundaries? \u003cem\u003eAllegory and Enchantment\u003c\/em\u003e explores these broad questions by considering the work of English writers at the threshold of modernity, and by considering, in particular, the cultural forms these writers want to leave behind. From the fourteenth to the seventeenth centuries, many English writers fashion themselves as engaged in breaking away from an array of old idols: magic, superstition, tradition, the sacramental, the medieval. Many of these writers persistently use metaphors of disenchantment, of awakening from a broken spell, to describe their self-consciously modern orientation toward a medieval past. And many of them associate that repudiated past with the dynamics and conventions of allegory. \u003cbr\u003e\u003cbr\u003eIn the hands of the major English practitioners of allegorical narrative-William Langland, John Skelton, Edmund Spenser, and John Bunyan-allegory shows signs of strain and disintegration. The work of these writers seems to suggest a story of modern emergence in which medieval allegory, with its search for divine order in the material world, breaks down under the pressure of modern disenchantment. But these four early modern writers also make possible other understandings of modernity. Each of them turns to allegory as a central organizing principle for his most ambitious poetic projects. Each discovers in the ancient forms of allegory a vital, powerful instrument of disenchantment. Each of them, therefore, opens up surprising possibilities: that allegory and modernity are inescapably linked; that the story of modern emergence is much older than the early modern period; and that the things modernity has tried to repudiate-the old enchantments-are not as alien, or as absent, as they seem.","brand":"OXFORD UNIV PR","offers":[{"title":"New","offer_id":50167243866402,"sku":"9780198788041-new","price":127.35,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0893\/4755\/5618\/files\/9780198788041.jpg?v=1753563305"},{"product_id":"tempest-shakespeare-kids-shakespeare-language-kids-will-understand-love-9798882628337-new","title":"The Tempest Shakespeare for kids: Shakespeare in a language kids will understand and love","description":"\u003cp\u003eEver dreamed of a world where spells reshape reality and enchanted islands hold secrets waiting to be discovered? 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