{"title":"Museum Studies","description":"\u003cp\u003eMuseum Studies examines the practices and roles of museums within the art world, approaching topics such as curatorial strategy, public engagement, collections management, and interpretation of art objects. This subject highlights the ways institutions present, conserve, and contextualize visual works, making it distinct from general art history by centering the museum as both steward and storyteller.\u003c\/p\u003e\u003cp\u003eTo further refine your research, consider which aspect of museum work interests you most: exhibition planning, visitor experience, digital collections, or conservation. Each of these facets represents a unique route within Museum Studies and can help focus your reading or academic inquiry on practical and emerging challenges faced by today’s art institutions.\u003c\/p\u003e","products":[{"product_id":"museum-future-now-what-9783037645697-new","title":"Museum of the Future: Now What?","description":"\u003cp\u003e\u003cb\u003eWhat is the function of the museum in culture today? Leading culture makers offer perspectives for the new era ahead\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eGathering together fresh perspectives from more than 25 leading art and museum figures--including artists, architects, curators and museum directors--from all over the world, this collection of interviews and contributions shares idiosyncratic views, feedback and visions of what is and what should or should not be a museum in the 21st century, both inherently and in our fast-changing cultural ecosystem.\u003cbr\u003eDo we need a new art historical canon? How can museums become welcoming places for everybody? How should a museum deal with artworks that are considered problematic today? Is the blockbuster a thing of the past? How can museums be sustainable? These are some of the pressing questions answered very differently by the contributors, together with others dealing with the relationships between the local and the global, the museums' governance and financial organization, technological possibilities, and audience-related challenges. Showing the diversity of today's thinking about the museum, this tome constitutes a valuable handbook for navigating an ever-evolving landscape. 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Organized in reverse alphabetical order, each letter of the alphabet evokes a particular word related to the world of exhibition making: from D (Durational) and S (Scenography) to R (Relational) and F (Feminism). 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But only a select few have unrestricted access to every nook and cranny. They're the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamourous fledgling career at \u003ci\u003eThe New Yorker\u003c\/i\u003e, Patrick Bringley never thought that he'd be one of them. Then his older brother was diagnosed with fatal cancer and he found himself needing to escape the mundane clamor of daily life. So he quit \u003ci\u003eThe New Yorker\u003c\/i\u003e and sought solace in the most beautiful place he knew. \u003cbr\u003e\u003cbr\u003e To his surprise and your delight, this temporary refuge becomes Bringley's home away from home for a decade. We follow him as he guards delicate treasures from Egypt to Rome, strolls the labyrinths beneath the galleries, wears out nine pairs of company shoes, and marvels at the beautiful works in his care. Bringley enters the museum as a ghost, silent and almost invisible, but soon finds his voice and his tribe: the artworks and their creators and the lively subculture of museum guards--a gorgeous mosaic of artists, musicians, blue-collar stalwarts, immigrants, cutups, and dreamers. 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