{"title":"Modernism","description":"\u003cp\u003eModernism in art books delves into the movement that emerged in the late nineteenth and early twentieth centuries, distinguished by a deliberate break from traditional artistic conventions. This subject traces how artists reimagined form, color, and technique, pursuing innovation and new modes of expression that shaped global visual culture. Readers will encounter discussions of key themes like abstraction, experimentation, and the challenge to established norms that defined Modernism’s far-reaching impact.\u003c\/p\u003e\u003cp\u003eTo gain a nuanced understanding, approach Modernism through contrasting sub-movements, leading figures, or international perspectives that mark the diversity of this category. 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The book soars.\"--\u003ci\u003eThe New York Times Book Review\u003c\/i\u003e (Editors' Choice)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eONE OF THE BEST BOOKS OF THE YEAR: \u003ci\u003eVanity Fair, The New York Times Book Review, The New Yorker\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIn January 1939, Pablo Picasso was renowned in Europe but disdained by many in the United States. One year later, Americans across the country were clamoring to see his art. How did the controversial leader of the Paris avant-garde break through to the heart of American culture? \u003cbr\u003e\u003cbr\u003eThe answer begins a generation earlier, when a renegade Irish American lawyer named John Quinn set out to build the greatest collection of Picassos in existence. His dream of a museum to house them died with him, until it was rediscovered by Alfred H. 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It caused a sensation at the historic Armory Show of 1913, being damned by one critic as \"an explosion in a shingle factory.\" Yet the criticism in no way perturbed it imperturable creator, Marcel Duchamp. Duchamp's \"readymades\" (the urinal singed by R. Mutt and entitled \u003cem\u003eFountain\u003c\/em\u003e, the snow shovel entitled \u003cem\u003eIn Advance of the Broken Arm\u003c\/em\u003e, and other objects bought and exhibits as works of art) are by now familiar objecs of critical derision and delight. And Duchamp's influence has been pervasive throughout modern art, fosterin Neo-Dada, Op Art, Pop Art, and Conceptual Art. \u003cbr\u003e\u003cbr\u003eMarcel Duchamp's major work, \u003cem\u003eThe Bride Stripped Bare by her Bachelors, Even\u003c\/em\u003e (also known as \u003cem\u003eThe Large Glass\u003c\/em\u003e) was left in a state of \"definitive incompletion\" in 1923. The notes for this extradordinarywork form the largest part of SALT SELLER. 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